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"Bring up a child in the way he shall go and when he is older he shall not depart from it." Grace Lee believed that Bible verse fervently. She was certain her daughter, Rosemary, would be not only an active Southern Baptist but a foreign missionary as well. During the late ‘60s, changes were afoot, forcing Grace to realize things were not what they ought to have been. Though she tried to close her eyes to political and social turmoil, the glaring faults she began seeing in her church were another matter. Dorothy Blackwell, a fellow-member in the Woman’s Missionary Union, had the reputation of being a “good” Southerner but church members were often askance at her vocal championing of ...
Throughout cinematic history, the buildings characters inhabit--whether stately rural mansions or inner-city apartment blocks--have taken on extra dimensions, often featuring as well developed characters themselves. Nowhere is this truer than in the horror film, where familiar spaces--from chaotic kitchens to forgotten attics to overgrown greenhouses--become settings for diabolical acts or supernatural visitations. Showing readers through a selection of prime movie real estate, this book explores how homes come to life in horror with an analysis of more than sixty films, including interviews and insights from filmmakers and scholars, along with many rare stills. From the gruesome murder in the hallway of The House by the Cemetery (1981) to the malevolent haunting in the nursery of Eel Marsh House in The Woman in Black (2012), no door is left unopened.
Walking surveys the proliferation of pedestrian practices across contemporary art, taking an avowedly political stance on where and how the three practices of art, walking, and writing intersect. Across the world, walking is a vital way to assert one’s presence in public space and discourse. Walking maps the terrain of contemporary walking practices, foregrounding work by Black artists, Indigenous artists and artists of colour, working-class artists, LGBTQI+ artists, disabled artists and neurodiverse artists, as well as many more who are frequently denied the right to take their places in public space, not only in the street or the countryside, but also in art discourse. This anthology con...
Geophysics in the Affairs of Man describes how geophysics has affected human affairs, with emphasis on the geophysical enterprise as an interplay of technical, social, and economic factors. Many of the key and intriguing developments that took place within several major fields of geophysics are divided into seven epochs, roughly broken into decades. Topics covered include the origins of the profession of geophysics, earth physics and oceanography, and geophysical aspects of undersea warfare. This book is comprised of nine chapters and begins with a discussion on some antecedents to the modern-day profession of geophysics through World War I. The following chapters focus on the golden days of exploration geophysics; classical seismology during the war years; the growth of geophysics during the 1950s; and the nature of the geophysical exploration industry. The closing chapter presents the views of numerous geophysicists about what they consider the most outstanding actions they were ever involved in, as well as what makes the profession unique. This monograph is written primarily for geophysicists, geologists, and geological engineers.
FBI Special Agent Claire King dies chasing a killer—and is resuscitated minutes later to realize she has changed. Dark images flash through her mind in a newfound power, visions leading her towards serial killers. A new serial killer strikes, mailing greeting cards to his victims before he kills them. With this ominous warning in hand, can Claire save the next victim before it’s too late? Or can this killer be leading them astray? “Molly Black has written a taut thriller that will keep you on the edge of your seat… I absolutely loved this book and can’t wait to read the next book in the series!” —Reader review for Girl One: Murder Once He Feels is Book #4 of a long anticipated ...
From the beginning of the sound era until the end of the 1930s, independent movie-making thrived. Many of the independent studios were headquartered in a section of Hollywood called "Poverty Row." Here the independents made movies on the cheap, usually at rented facilities where shooting was limited to only a few days. From Allied Pictures Corporation to Willis Kent Production, 55 Poverty Row Studios are given histories in this book. Some of the studios, such as Diversion Pictures and Cresent Pictures, came into existence for the sole purpose of releasing movies by established stars. Others, for example J.D. Kendis, were early exploitation filmmakers under the guise of sex education. The histories include critical commentary on the studio's output and a filmography of all titles released from 1929 through 1940.