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The Naked Truth is the very personal story of Graeme Blundell - Australia's first sex icon (by chance), a founder of the Melbourne's theatre groups La Mama and Playbox, which showed audiences that actors could speak in Australian English, and now an acclaimed writer and journalist. From his a childhood in Melbourne's working - class outer suburbs Graeme passionately followed his dreams, conjured up through the books he spent so much time reading and the sports stars he loved to watch, to becomes a central part of Australian popular culture. He has worked in films, TV and theatre. The hit movie Alvin Purple made him Australia's first permissive pin - up, and he became a symbol of the early se...
Bert Newton has been on the Australian small screen since it first flickered to life in the 1950s - now, in the book all his fans have been waiting for, bestselling author Graeme Blundell gives us the full story of the man behind that unforgettable face. TV and radio star, interviewer and all-round media personality, Bert Newton's career spans the decades. He ruled the radio sets of Melbourne in the 1950s - when another young blade, Graham Kennedy, was also on the air - then made the transition to the box. Whether on television, radio or more recently on stage, Bert is the preeminent entertainer. Behind this most public of faces is the story of a boy whose father died early; a lad who loved ...
John Romeril has been one of the most prolific contributors to Australian theatre in the last twenty years. But since until recently few of his plays have been published, he has had inadequate recognition. As a founding member of the APG he was 'in at the start' of the revival of the so-called New Wave in Australian drama in the sixties. Romeril continues to be a leading influence in contemporary theatre. His work ranges from the well-known The Floating World (1974) to such recent successes as the community based play The Kelly Dance (1984), the mainstream drama Lost Weekend (1989) and the political play Black Cargo (1991). John Romeril is truly the great survivor of modern Australian theatre.
Lowell Tarling recorded Martin Sharp's life, and his effect on his friends, over twenty years. Now two volumes in one, in advance of the film of these books - GHOST TRAIN... Sharp: The Road to Abraxas - Part One, 1942-1979 Sharper: Bringing It All Back Home - Part Two, 1980-2013 'Like the Ancient Mariner, it's also a ghastly tale. I could understand the events at Luna Park a bit. I was trying to understand them and then suddenly there was this poetic language working to say: this is a crucifixion, Golgotha, death by fire. And then it starts to fit into Apocalyptic vision. It was Abraxas if you like - the dark face and the light face. To look upon Abraxas is blindness. To know it is sickness. To worship it is death. To fear it is wisdom. To assist it not is redemption. I don't know what it means. I've never been able to work it out. You get a Pop Art Parallel. It was the Year of the Child, the place of Golgotha, the Place of the Skull, and the Ghost Train. You then get these events that are caused by plotting, not caring for kids, carelessness, living a human life - the way of the world.' - Martin Sharp, 4 March 1984
Paperback release of a biography of Australian television personality Graham Kennedy. Traces Kennedy's career from a working-class Melbourne background to becoming a regular host on Australian television, before moving into film. Looks at the way Kennedy examined humour traditions and invented new comic genres for television. Includes photos, endnotes, bibliography and index. Author is an actor, director, producer and writer who has previously co-authored the biography of Brett Whiteley, 'An Unauthorised Life', and edited 'Australian Theatre: Backstage with Graeme Blundell'.
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Television presenters are key to the sociability of the medium, speaking directly to viewers as intermediaries between audiences and those who are interviewed, perform or compete on screen. As targets of both great affection and derision from viewers and the subjects of radio, internet, magazine and newspaper coverage, many have careers that have lasted almost as long as post-war television itself. Nevertheless, as a profession, television presenting has received little scholarly attention. Personality Presenters explores the role of the television presenter, analysing the distinct skills possessed by different categories of host and the expectations and difficulties that exist with regard t...
1975 in Australia was a year marked by political upheaval and cultural revival, a time when it was exciting to be an Australian. In this fascinating book, journalist Mark Juddery examines the year that marked a complete turning point in Australian history; politically, socially and most of all, on the international stage. Comprising of interviews with prominent Australians who remember the year well, as well as issues of the time, 1975 explores: The Whitlam Dismissal; the introduction of Medibank, PNG's independence from Australia; the return of native land to Aborigines in the Northern Territory; the first time unemployment soared passed 5%; the first Australian political sex scandal to make headlines; Malcolm Fraser's egging in Darwin soon after the Dismissal; Peter Weir's Picnic at Hanging Rock being shown to an international audience; release of Australia's highest selling album by AC/DC, the launch of Radio 2JJ (which became Triple J); and the year Australia admitted that the Vietnam War was a mistake!
THE NAKED TRUTH is Graeme Blundell's personal insight into the early years of truly indepedent local theatre, the wild film industry of the seventies, the controversial rise of Australian television, and his role in each of them.
Perth in the 1950s. After being caught wearing his mother's yellow dress, young Victor had to hide any tendency towards gender inappropriate behaviour. But his interest in dancing and theatre (and mooning over Rudolph Nureyev on the telly) were bound to make the facade collapse at some point. Emerging sexuality and the sense of not being 'at home' in his body, let alone the world, ran alongside a search for meaning that brought him eventually to a spiritual awakening under the young guru Maharaji...Part family tragedy, part existential comedy, The Boy in the Yellow Dress is a warts-and-all account of exile and the subsequent journey homewards that is less about finding a respectable place in the world than an intimate connection with the ultimate source of being. If ever a memoir captured the Zeitgeist, it's this one... Wise, funny, surprising at every turn... More than a portrait of growing up gay, it chronicles the wild search for meaning of an entire generation.Amanda Lohrey (2012 Patrick White Award Winner)