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Society Shaped by Theology explores the possibility that theological concepts may sometimes still be influential in the modern world. It follows in the tradition of Max Weber, arguing that theological virtues and debates can at times be transposed, wittingly or unwittingly, into society at large. Gill examines the unusual instance of the public debate about Honest to God in the 1960s, but then turns to the current debate about faith and social capital, adding fresh and unexpected evidence.
Over the last thirty years a number of theologians have been using aspects of sociology alongside the more traditional resources of philosophy. In turn, sociologists with an interest in theology have also contributed to an interaction between theology and sociology. The time is right to revisit the dialogue between theologians and sociologists. In his new trilogy on Sociological Theology, Robin Gill makes a renewed contribution to the mapping of three abiding ways of relating theology and sociology, with the three volumes covering: Theology in a Social Context; Theology Shaped by Society; Society Shaped by Theology. Society Shaped by Theology explores the possibility that theological concept...
Brown combines an abiding admiration of classical idioms with an appreciation of new possibilities for the arts in worship. Interacting with a wide range of religious thinkers and leaders -- from Augustine and John Calvin to Rick Warren, Marcus Borg, and the Pope -- he addresses questions concerning "good" art and "good" music for worship. --from publisher description.
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The field of 'art and religion' is fast becoming one of the most dynamic areas of religious studies. Uniquely, "The Art of the Sacred" explores the relationship between religion and the visual arts - and vice versa - within Christianity and other major religious traditions. It identifies and describes the main historical, theological, sociological and aesthetic dimensions of 'religious' art, with particular attention to 'popular' as well as 'high' culture, and within societies of the developing world. It also attempts to locate, and predict, the forms and functions of such art in a changing contemporary context of obligation, modernity, secularism and fundamentalism. The author concentrates on four chief dimensions where religious art and religious belief converge: the iconographic; the didactic; the institutional; and the aesthetic. This clear, well-organised and imaginative treatment of the subject should prove especially attractive to students of religion and visual culture, as well as to artists and art historians.
At least since the time of Paul (see Acts 18), Christians have wrestled with the power and danger of religious imagery in the visual arts. It was not until the middle of the twentieth century that there emerged in Western Christianity an integrated, academic study of theology and the arts. Here, one of the pioneers of that movement, H. Wilson Yates, along with fourteen theologians, examine how visual culture reflects or addresses pressing contemporary religious questions. The aim throughout is to engage the reader in theological reflection, mediated and enhanced by the arts. This beautifully illustrated book includes more than fifty images in full color.
David Martin is a world-renowned sociologist, and one of the most prominent sociologists of religion ever to have emerged from the British Isles. Noted for his work on secularization, Pentecostalism, the Church of England and religious trends in general, his work has influenced the entire shape of a discipline that is now firmly established in many universities. This volume celebrates his 70th birthday, and his substantial and varied contributions to the sociology of religion stretching over a 50 year period. Andrew Walker and Martyn Percy have collated and edited a collection of essays-all freshly commissioned-that evaluate Martin's work. Contributors include Bryan Wilson, Steve Bruce, Grace Davie, Graham Howes, Richard Fenn, Karel Dobbelaere, Christie Davies, Robin Gill, Bernice Martin and Kieran Flanagan. This timely and appreciative volume is essential reading for all who want to understand the shape of the discipline of the sociology of religion.
Short-listed for the Art and Christian Enquiry/Mercers' International Book Award 2009: 'a book which makes an outstanding contribution to the dialogue between religious faith and the visual arts'. What does modern Jewish art look like? Where many scholars, critics, and curators have gone searching for the essence of Jewish art in Biblical illustrations and other traditional subjects, Rosen sets out to discover Jewishness in unlikely places. How, he asks, have modern Jewish painters explored their Jewish identity using an artistic past which is- by and large - non-Jewish? In this new book we encounter some of the great works of Western art history through Jewish eyes. We see Matthias Grunewal...
Tim Cawkwell’s knowledge and experience of the cinema has been poured into his writings about it. Originally published in 2004, this new edition sees some substantial revisions: some previous material has been dropped and a lot of new material has been added, especially on more recent films. The whole text has been very significantly reshaped with the addition of images to support Tim’s writing. Dozens of films are referred to in this book, which finds new insights into the variety of religious narratives that different countries have produced. Those receiving more in-depth consideration include such masterpieces as The Passion of Joan of Arc, Rome Open City, Diary of a Country Priest, W...