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The international financial crisis of 2007-08 and the ensuing scandals continue to raise important debates about the role of institutions in maintaining trust and fighting corruption, as well as in sustaining economic growth and political stability in a globalized world. This book proposes to historicize these problems by looking at the ways in which early-modern Europe responded to similar challenges brought about by the rising costs of international warfare in a period marked by the development of commercial capitalism and the rise of fiscal states. Building upon the expertise of a group of fiscal historians who are leaders in their respective fields, ten chapters successively examine how Spain, Britain, France, the Southern Low Countries, the Netherlands, Sweden and Prussia dealt with domestic conflicts arising from the business of war, especially issues of financial profit, fraud and corruption. Through a series of case studies, this volume explores how the various European polities engaged with the transformative effects of warfare on the relationship between private and public interests, paving the way for institutional reforms and transformed ethics.
Presenting the research into the landscape history of the Bourn Valley, west of Cambridge, this book is published as the first volume in a series of mid-length monographs on unusual subjects within local and regional history. It is illustrated throughout with maps and photos.
New York City's Broadway district is by far the most prestigious and lucrative venue for American performers, playwrights, entertainers and technicians. While there are many reference works and critical studies of selected Broadway plays or musicals and even more works about the highlights of the American theater, this is the first single-volume book to cover all of the activities on Broadway between 1919 and 2007. More than 14,000 productions are briefly described, including hundreds of plays, musicals, revivals, and specialty programs. Entries include famous and forgotten works, designed to give a complete picture of Broadway's history and development, its evolution since the early twentieth century, and its rise to unparalleled prominence in the world of American theater. The productions are identified in terms of plot, cast, personnel, critical reaction, and significance in the history of New York theater and culture. In addition to a chronological list of all Broadway productions between 1919 and 2007, the book also includes approximately 600 important productions performed on Broadway before 1919.
The purpose of this book is to examine recent productions of Shakespeare on stage and film and to lay out some interpretive guidelines for responding to the scripts as recreated in these two very different formats and within the conflicted environment of shifting critical paradigms. The two traditions - Shakespeare on stage and Shakespeare on film - have experienced a midair collision with postmodernism. The results are beginning to be chronicled.
This book fills a significant gap in the historiography of British military thought, doctrine and practice for the First World War (1914-18) and the generation beforehand, including the Boer War (1899-1902). It investigates a major doctrinal controversy: what the role and tactics of horsed soldiers were to be in the face of increasing firepower and demands placed upon them by the expansion of mass armies. Contrary to widely held modern belief, the doctrine developed proved quite successful in dealing with the conditions that they faced on the battlefield.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.