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Theologizing in Black
Theologizing in Black is a creative and rigorous comparative study on black theological musings and liberative intellectual contemplations engaging the theological ethics and anthropology of both continental African theologians (Tanzania, Kenya, Democratic Republic of the Congo) and black theologians in the African Diaspora (Haiti, Trinidad, Jamaica, Antigua and Barbuda, United States). Using the pluralist approach to religion promoted by the philosopher of religion and theologian John Hick, the book is also an attempt to bridge an important gap in the comparative study of religion, Africana Studies, and Liberation theology, both in Africa and its diaspora. The book provides an analytical fr...
The Devil Wears Black
"Maddie Goldbloom stitched up a plan to ensure everything in her life was perfect - from a career in fashion to a chic NYC apartment to a pediatrician boyfriend. When her ex, Chase Black, storms back into her life with an outrageous request, her immediate reaction is to refuse him. But he only wants to fulfill his father's last wish. So even though he's the man who broke her heart, playing his fiancée shouldn't be hard, especially if it means she gets to watch the arrogant devil squirm a bit. What ensues is a chain of events that detonates Maddie's life - and when Chase's walls come down, they both are forced to face reality."--Provided by publisher.
The Future is Black
The Future is Black presents Afropessimism as an opportunity to think in provocative and disruptive ways about race, racial equality, multiculturalism, and the pursuit of educational justice. The vision is not a coherent, delimited conversation, but a series of experiences with Afropessimism as a radical analytic situated within critical Black studies. Activists, educators, caregivers, kin, and all those who love Black children are invited to make sense of the contemporary Black condition, including a theorization of Black suffering, Black fugitivity, and Black futurity. These three concepts provide the foundation for the book's inquiry, and contribute to the examination of Black educational opportunity, experience, and outcomes. The book not only explores how schooling becomes complicit in, and serves as, a site of Black material and psychic suffering, but also examines the possibilities of education as a site of fugitivity, of hope, of escape, and as a space within which to imagine an emancipation yet to be realized.
What Artists Wear
*A Financial Times Book of the Year* 'The first time I opened What Artists Wear, I gasped with pleasure. Imagine it as a kind of punk cousin to John Berger's Ways of Seeing, liberally illustrated with the most astonishing images of artists, decked out in finery or rags ... It transported me to somewhere glamorous, exciting, even revolutionary' Olivia Laing, Guardian Most of us live our lives in our clothes without realizing their power. But in the hands of artists, garments reveal themselves. They are pure tools of expression, storytelling, resistance and creativity: canvases on which to show who we really are. In What Artists Wear, style luminary Charlie Porter takes us on an invigorating, ...
And... Never Again
Hundreds of thousands of lives, millions of animals and billions in property are at stake. And... Never Again, is the 3rd in the Michael Grant, PI, mystery/suspense series. Terry Dean Ballard, a young terrorist who killed 19 innocents in Texas before escaping Michael's grasp at the end of Judas Oracle, surfaces in Colorado bent on destruction. Ballard's Christmas day sabotage of area ski slopes and towns kills 67 bringing his death toll to eighty-six. Ballard, a young computer geek, finds he excels as a user, abuser and natural leader. He next focuses his cold careless fury on New Year's Eve. Leading a small gang of eco-terrorists, he plots his next debacle. Above, millions of acre feet of water, Below the dam, a town, a chemical munitions storage facility. Can Michael Grant and his team of 'agency' operatives stop the inevitable? How many more times can Michael Grant say: And... Never Again.
Winning Our Freedoms Together
In this transnational account of black protest, Nicholas Grant examines how African Americans engaged with, supported, and were inspired by the South African anti-apartheid movement. Bringing black activism into conversation with the foreign policy of both the U.S. and South African governments, this study questions the dominant perception that U.S.-centered anticommunism decimated black international activism. Instead, by tracing the considerable amount of time, money, and effort the state invested into responding to black international criticism, Grant outlines the extent to which the U.S. and South African governments were forced to reshape and occasionally reconsider their racial policies in the Cold War world. This study shows how African Americans and black South Africans navigated transnationally organized state repression in ways that challenged white supremacy on both sides of the Atlantic. The political and cultural ties that they forged during the 1940s and 1950s are testament to the insistence of black activists in both countries that the struggle against apartheid and Jim Crow were intimately interconnected.
Becoming Black Political Subjects
After decades of denying racism and underplaying cultural diversity, Latin American states began adopting transformative ethno-racial legislation in the late 1980s. In addition to symbolic recognition of indigenous peoples and black populations, governments in the region created a more pluralistic model of citizenship and made significant reforms in the areas of land, health, education, and development policy. Becoming Black Political Subjects explores this shift from color blindness to ethno-racial legislation in two of the most important cases in the region: Colombia and Brazil. Drawing on archival and ethnographic research, Tianna Paschel shows how, over a short period, black movements an...
Black Enterprise
BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.
Buy Black
Buy Black examines the role American Black women play in Black consumption in the US and worldwide, with a focus on their pivotal role in packaging Black feminine identity since the 1960s. Through an exploration of the dolls, princesses, and rags-to-riches stories that represent Black girlhood and womanhood in everything from haircare to Nicki Minaj’s hip-hop, Aria S. Halliday spotlights how the products created by Black women have furthered Black women’s position as the moral compass and arbiter of Black racial progress. Far-ranging and bold, Buy Black reveals what attitudes inform a contemporary Black sensibility based in representation and consumerism. It also traces the parameters of Black symbolic power, mapping the sites where intraracial ideals of blackness, womanhood, beauty, play, and sexuality meet and mix in consumer and popular culture.
