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The One and the Many
  • Language: en
  • Pages: 330

The One and the Many

  • Categories: Art

DIVExamines questions of agency, artisanship, and identity in relation to collaborative art practice./div

Conversation Pieces
  • Language: en
  • Pages: 264

Conversation Pieces

  • Categories: Art

Grant Kester discusses the disparate network of artists & collectives united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, & culture.

Art, Activism, and Oppositionality
  • Language: en
  • Pages: 334

Art, Activism, and Oppositionality

  • Categories: Art

A collection of essays from the influential American journal of film, video and photography, exploring ideologies and institutions of the artworld; current media strategies for producing social change; and topics around gender, race and representation. I

Collective Situations
  • Language: en
  • Pages: 425

Collective Situations

  • Categories: Art

In Collective Situations scholars, artists, and art collectives present a range of socially engaged art practices that emerged in Latin America during the Pink Tide period, between 1995 and 2010. This volume's essays, interviews, and artist's statements—many of which are appearing in English for the first time—demonstrate the complex relationship between moments of political transformation and artistic production. Whether addressing human rights in Colombia, the politics of urban spaces in Brazil, the violent legacy of military dictatorships in the region, or art’s intersection with public policy, health, and the environment, the contributors outline the region’s long-standing tradit...

Artificial Hells
  • Language: en
  • Pages: 484

Artificial Hells

  • Categories: Art
  • Type: Book
  • -
  • Published: 2012-07-24
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  • Publisher: Verso Books

The award-winning, highly acclaimed Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." In recent decades, the art gallery and the museum have become a place for participatory art, where an audience is encouraged to take part in the artwork. This has been heralded as a revolutionary practise that can promote new emancipatory social relations. What was it is really? In this fully updated edition, Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International;...

Living as Form
  • Language: en
  • Pages: 265

Living as Form

  • Categories: Art
  • Type: Book
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  • Published: 2012
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  • Publisher: MIT Press

'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.

Co-creation
  • Language: en
  • Pages: 228

Co-creation

  • Type: Book
  • -
  • Published: 2019
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  • Publisher: Unknown

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Gallery as Community
  • Language: en
  • Pages: 248

Gallery as Community

  • Type: Book
  • -
  • Published: 2012
  • -
  • Publisher: Unknown

Curators, directors and programmers from UK galleries make public the current debates within institutions on community, art and education.

The Court of Miracles (The Court of Miracles Trilogy, Book 1)
  • Language: en
  • Pages: 334

The Court of Miracles (The Court of Miracles Trilogy, Book 1)

Les Misérables meets Six of Crows in this page-turning adventure as a young thief finds herself going head to head with leaders of Paris's criminal underground in the wake of a failed French Revolution.

Another Aesthetics Is Possible
  • Language: en
  • Pages: 233

Another Aesthetics Is Possible

  • Categories: Art

In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.