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Human Humanities
This book offers scholars, administrators and the broader public an original proposal for the humanities. It argues that these disciplines, while serving society, are intrinsic to our humanity. It offers new bold ideas about how to think with greater humanistic coherence.
Lutheran Music Culture
This volume presents a novel and distinct contribution to previous research on the rich Lutheran heritage of music. It builds upon a current surge of interest in the field, which resonates with a wider interest in connections between music and religion, as well as with cultural and aesthetic dimensions of faith at large. The book situates the topic in relation to recent developments within historical and cultural studies that have developed a more nuanced and positive view of the interplay between theologians and other cultural agents in the evolution of Western modernity during post Reformation processes of ‘confessionalization’. It combines conceptual discussions of key terms relevant to the study of the development and significance of an Early Modern Lutheran Music Culture with theological readings of central texts on music, analytic approaches to historical repertoires and material perspectives on its dissemination.
Jan van Eyck within His Art
A new assessment of the inventive and influential artist Jan van Eyck. Jan van Eyck (1390–1441) was one of the most inventive and influential artists in the entire European tradition. The realism of his paintings continues to astound observers more than six centuries on, even though our world is saturated by high-resolution images. However, viewers today are as like to be absorbed by Van Eyck’s personality as his realism. While he sometimes directly painted himself into his works, he also suggested his presence through an array of inscriptions, signatures, and even a personal motto. Incorporating a wealth of new research and recent discoveries within a fresh exploration of the paintings themselves, this book reveals how profoundly Jan van Eyck transformed the very idea of what an artist could be.
The Cambridge History of Ancient Christianity
The first three hundred years of the common era witnessed critical developments that would become foundational for Christianity itself, as well as for the societies and later history that emerged thereafter. The concept of 'ancient Christianity,' however, along with the content that the category represents, has raised much debate. This is, in part, because within this category lie multiple forms of devotion to Jesus Christ, multiple phenomena, and multiple permutations in the formative period of Christian history. Within those multiples lie numerous contests, as varieties of Christian identity laid claim to authority and authenticity in different ways. The Cambridge History of Ancient Christianity addresses these contested areas with both nuance and clarity by reviewing, synthesizing, and critically engaging recent scholarly developments. The 27 thematic chapters, specially commissioned for this volume from an international team of scholars, also offer constructive ways forward for future research.
For the Sake of Learning
In this tribute to Anthony Grafton, a preeminent historian of early modern European intellectual and textual culture and of classical scholarship, fifty-eight contributors present new research across the many areas in which Grafton has been active. The articles span topics from late antiquity to the 20th century, from Europe to North American, and a full spectrum of fields of learning, including art history, the history of science, classics, Jewish and oriental studies, church history and theology, English and German literature, political, social, and book history. Major themes include the communities and dynamics of the Republic of Letters, the reception of classical texts, libraries and bo...
Philip Melanchthon and the Cappadocians
This work offers a comprehensive examination of how Philip Melanchthon (1497-1560) -- a great philologist, pedagogue, and theologian of the Reformation -- used Greek patristic sources throughout his extensive career. The Cappadocian Fathers (here identified as Gregory Thaumaturgus, Basil of Caesarea, Gregory Nazianzen, and Gregory of Nyssa) were received through the medieval period to be exemplary theologians. In the hands of Melanchthon, they become tools to articulate the Evangelical-Lutheran theological position on justification by grace through faith alone, the necessity of formal education for theologians in literature and the natural sciences, the freedom of the will under divine grace...
The Correspondence of Wolfgang Capito: 1524-1531
A fully annotated translation of the correspondence of Protestant leader Wolfgang Capito (1478-1541) for the years 1532-36, this volume provides crucial details on the evolution of Capito's thought and its contribution to the Reformation movement. This title was made Open Access by libraries from around the world through Knowledge Unlatched.
Music and Religious Education in Early Modern Europe
Exploring the nexus of music and religious education involves fundamental questions regarding music itself, its nature, its interpretation, and its importance in relation to both education and the religious practices into which it is integrated. This cross-disciplinary volume of essays offers the first comprehensive set of studies to examine the role of music in educational and religious reform and the underlying notions of music in early modern Europe. It elucidates the context and manner in which music served as a means of religious teaching and learning during that time, thereby identifying the religio-cultural and intellectual foundations of early modern European musical phenomena and their significance for exploring the interplay of music and religious education today.
The Oxford Handbook of the Bible in Orthodox Christianity
"The Oxford Handbook of the Bible in Orthodox Christianity investigates the various ways in which Orthodox Christian, i.e., Eastern and Oriental communities have received, shaped, and interpreted the Christian Bible. The handbook is divided into five parts, including the introduction ("Balancing Tradition with Modernity") that sets the tone and scope of the volume. Part I: Text The Orthodox Church has never codified the Septuagint or any other textual witnesses as its authoritative text. Textual fluidity and pluriformity, a characteristic of Orthodoxy, is demonstrated by the various ancient and modern Bible translations such as, Syriac, Coptic, Ethiopian, Armenian, etc. Part II: Canon Unlike...
Medieval Music, Legend, and the Cult of St Martin
The first study to explore the music of St Martin's cult and its influence upon medieval religion, art and politics.
