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The Daoist concept of Wu Wei means literally 'Not Doing' or 'Without Effort'; Do nothing that disturbs the harmony of the natural order. 'Go with the flow' of nature.
This annotated and selective bibliography details those old and rare publications, those national treasures, which describe the history, culture and languages of Australia's first inhabitants, the Australian Aborigines. For each publication specific bibliographic data is provided with additional biographical details for each author. A general introductory description of the Australian Aborigine together with time lines of important events and a suggested systematic scheme for classification provides a background to the bibliography. Finally numerous illustrations supplement the text.
The third instalment in an ongoing project exploring sequences of events unfolding across varied environments. Each book in the series is a standalone, wordless collection of illustrations that examine our relationship with the spaces we occupy. Outer Wilderness is the third and final instalment of a journey that began with introspective self-imagined places, followed by a passage of experience and memory and now looks further away to the edges of the universe and into the unknown. It explores a vast spectrum of locations beyond the boundaries of normal time and space. Each of these landscapes are inspired from a mix of science fiction, imagination and space documentaries which builds into a journey through a fantastical environment.
MARIA McCALL, by Allan Young In this sequel to MARIA MALIETTE, the death of Maria's husband forces her to make many new choices-some of them are advantageous, some not. Discovering that she now owns a farm and a century-old mansion gives her the incentive that she needs to start a new business. Resolving the accompanying problems along the way, with the help of newfound friends-while combating both personal and business nemeses-leads to success as well as romance in her newly defined life.
“A rare and fascinating insight into Hitler’s inner circle.” —Roger Moorhouse, author of Killing Hitler As secretary to the Führer throughout the time of the Third Reich, Christa Schroeder was perfectly placed to observe the actions and behavior of Hitler, along with the most important figures surrounding him. Schroeder’s memoir delivers fascinating insights: she notes his bourgeois manners, his vehement abstemiousness, and his mood swings. Indeed, she was ostracized by Hitler for a number of months after she made the mistake of publicly contradicting him once too often. In addition to her portrayal of Hitler, there are illuminating anecdotes about Hitler’s closest colleagues. S...
Despite almost universal renown among his contemporaries, Davis lives today not so much in his own work but through covers of his songs by Dylan, Jackson Browne, and many others, as well as in the untold number of students whose lives he influenced--many of whom continue to teach his techniques today. The first biography of Davis, Say No to the Devil restores the Rev's remarkable story. Drawing on extensive research and interviews with many of Davis's former students and others who knew him well, music journalist Ian Zack takes readers through Davis's difficult beginning as the blind son of sharecroppers in the Jim Crow South to his decision to become an ordained Baptist minister and his move to New York in the early 1940s, where he scraped out a living singing and preaching on street corners and in storefront churches in Harlem. There, he gained entry into a circle of musicians that included, among many others, Lead Belly, Woody Guthrie, and Dave Van Ronk.
Media are poetic forces. They produce and reveal worlds, representing them to our senses and connecting them to our lives. While the poetic powers of media are perceptual, symbolic, social and technical, they are also profoundly moral and existential. They matter for how we reflect upon and act in a shared, everyday world of finite human existence. The Poetics of Digital Media explores the poetic work of media in digital culture. Developing an argument through close readings of overlooked or denigrated media objects – screenshots, tagging, selfies and more – the book reveals how media shape the taken-for-granted structures of our lives, and how they disclose our world through sudden moments of visibility and tangibility. Bringing us face to face with the conditions of our existence, it investigates how the ‘given’ world we inhabit is given through media. This book is important reading for students and scholars of media theory, philosophy of media, visual culture and media aesthetics.