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Women and Migration(s) II
Women and Migration(s) II draws together contributions from scholars and artists showcasing the breadth of intersectional experiences of migration, from diaspora to internal displacement. Building on conversations initiated in Women and Migration: Responses in Art and History, this edited volume features a range of written styles, from memoir to artists’ statements to journalistic and critical essays. The collection shows how women’s experiences of migration have been articulated through art, film, poetry and even food. This varied approach aims to aid understanding of the lived experiences of home, loss, family, belonging, isolation, borders and identity—issues salient both in experie...
Art in Chicago
For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—d...
Fleeting Monuments for the Wall of Respect
A collaboration of artists and writers commemorates a powerful symbol for social justice and freedom on Chicago's South Side The Wall of Respect, a work of public art created in 1967 at the corner of Forty-third Street and Langley Avenue on Chicago's South Side, depicted Black leaders in music, art, literature, politics, and sports. The Wall sparked a nationwide mural movement, provided a platform for community engagement, and was a foundational work of the Black Arts Movement. There is no longer any physical indication of its existence, but it still needs to be remembered. Fleeting Monuments for the Wall of Respect argues against making a monument of it, or of other historically significant...
Institutional Garbage
Literary Nonfiction. Art. INSTITUTIONAL GARBAGE is an experimental publication that endeavors to grasp the memory, feeling, and trace of an online exhibition that took place in the fall of 2016. The online exhibition presented the administrative residue of imaginary public institutions produced by artists, writers, and curators. Contracts, email correspondences, documented unproductivity, syllabi, scanned objects, obstacle courses, and other fragments were collected to illustrate the backend activities of imaginary bureaucracies, to trace the private life of institutional endeavors. Contributors: Alberto Aguilar, Anna Martine Whitehead, Brit Barton, Britton Bertran, Daniel Borzutzky, David A...
Art and Posthumanism
A sustained engagement between contemporary art and philosophy relating to our place in, and responsibility to, the nonhuman world How do contemporary art and theory contemplate the problem of the “bio” of biopolitics and bioart? How do they understand the question of “life” that binds human and nonhuman worlds in their shared travail? In Art and Posthumanism, Cary Wolfe argues for the reconceptualization of nature in art and theory to turn the idea of the relationship between the human and the planet upside down. Wolfe explores a wide range of contemporary artworks—from Sue Coe’s illustrations of animals in factory farms and Eduardo Kac’s bioart to the famous performance piece...
The Wall of Respect
With vivid images and words, The Wall of Respect: Public Art and Black Liberation in 1960s Chicago tells the story of the mural on Chicago's South Side whose creation and evolution was at the heart of the Black Arts Movement in the United States.
It Shall be of Jasper and Coral
With Liking's refreshingly iconoclastic writing driving their message, It Shall Be of Jasper and Coraland Love-across-a-Hundred-Livesintroduces a fascinating African literary voice to the English-speaking world.
Shadowed!
"Shadowed! confronts the slippage of time and action within Ellen Rothenberg's 2015 Sector 2337 exhibition, elsetime. Sweeping through the studio of Bertolt Brecht, Woodstock in the sixties, Berlin in the nineties, and the Syrian protests of today, Shadowed! projects a dispersive, unfolding temporality. Beginning with a suite of elsetime photographs, the book continues with reflections on the show by Hannah B Higgins, Jeffrey Skoller, Caroline Picard, and Shawn Michelle Smith--spreading out from there into an artist's archive that includes scanned fragments of writings by Stefan Brecht, Allen Ginsberg, Angela Davis, and transcribed contributions from Simone Forti. A subsequent section includ...
Life Extreme
Humankind has imagined and depicted fantastical creatures since the formation of the first societies. Beasts such as the Chimera, the Golem, the Minotaur and Galatea could be said to be culturally symptomatic. Today, in the twenty-first century, we witness the emergence of a new class of beings: organisms that are first imagined and then--through the agency of biotechnologies--brought to life. What once was myth is today a medium. In Eduardo Kac: Life Extreme, Kac, the pioneer of "bio art" who is internationally recognized for celebrated works such as "Genesis" and the fluorescent green "GFP Bunny," has selected 36 new organisms and invited the prominent philosopher Avital Ronell to discover these new beings. The book, published in Dis Voir's new Encounters series, is prefaced by Kac's "Anthroduction" and includes a whimsical taxonomy of taxonomies, offering a unique classification method for future species.
Theaster Gates
Transferring what has been rejected from everyday life or urban space into art and thus supplying it with a new usefulness, is one of Theaster Gates? fundamental artistic strategies. The sculptures and often spatially invasive works for Kunsthaus Bregenz, some of them new, follow this position. A selection of the collection that Gates calls 'Negrobilia', which has been compiled over the years by Edward J. and Ana J. Williams with the intention of removing these objects from the market and matter of-course visibility, is shown for the first time Contributions by Romi Crawford and Jackie Stewart broach Gates? complex Black Archive, as a critical confrontation with social and political themes. Thomas D. Trummer examines the artistic concept that underlies the exhibition in Bregenz. Large-format illustrations of earlier work and in particular the new works realized for Bregenz, as well as a carefully compiled biography and bibliography, offer a comprehensive insight into the work of the American artist. Published on the occasion of the exhibition Theaster Gates: Black Archive at Kunsthaus Bregenz, 23 April -- 26 June 2016. English and German text.
