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I Am Here and Not Not-there
This question was put by a registrant: What makes a poet's language distinctive?' We all fell silent, trying to pin it down, then tried to answer. Not just affection for words, which is common to all good writers; not necessarily a matter of cadence, formal structures, rhythm. The answer that came to me, forced out of minutes of dismissing options, was new to me too: It is saying I am here and not not-there''.'
Weinzweig
John Weinzweig (1913–2006) was the pre-eminent Canadian composer of his generation. Influenced by European modernists such as Stravinsky, Berg, and Webern, he was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid-twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant and expansive period for the arts in Canada. He was an influential force as a teacher of composition, first with the Royal Conservatory of Music and later with the University of Toronto’s music faculty. This first comprehen...
The Canadian Modernists Meet
The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature. The Canadian Modernists Meetis the first collection of its kind: a gathering of t...
Fanfare for Words
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Shaped by the West Wind
"Claire Campbell draws from recent work in cultural history, landscape studies in geography and art history, and environmental history to explore what happens when external agendas confront local realities - a story central to the Canadian experience. Explorers, fishers, artists, and park planners all were forced to respond to the unique contours of this inland sea; their encounters defined a regional identity even as they constructed a popular image for the Bay in the national imagination."--Jacket.
One Hundred Years of Canadian Cinema
Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.
You've got ten minutes to get that flag down...
First published in 1986, this volume presents the proceedings of a Conference organized by the Nova Scotia Coalition on Arts and Culture in response to massive government cuts in funding to the arts in preceding years. In the words of the editor, distinguished scholar Malcolm Ross, it "should be read as an Open Letter--to the artistic community, of course, but also to the wider public, the audiences, to those allies whose support is essential in ensuring the future of the arts in Canada, perhaps in ensuring the future of Canada." With contributions from John Ralston Saul, Rick Salutin, David Suzuki and many others, "You've got ten minutes to get that flag down..." is a vivid, immediate report on the state of Canadian culture in the mid-1980s.
Robert Duncan, The Ambassador from Venus
This text is a biography of Robert Duncan, one of America's great postwar poets. The author takes the reader from Duncan's birth in Oakland, California, through his childhood in an eccentrically Theosophist household, to his life in San Francisco as an openly gay man who became an inspirational figure for many poets and painters around him.--(Source of description unspecified.)
I've Been Thinking About You, Sister
A wry, touching short story from one of New Zealand's best-loved writers. When Uncle Rangiora visits his sister and dances with her in the garden, she knows she has to visit the place where he died, and where he and other of his comrades from the Maori Battalion were buried during the Second World War. His sister is an old woman now, her husband is even older, but that's not going to stop them from setting off across the world alone, to the great consternation of their children who wonder if they will ever get there and back. This moving and entertaining story is a fictionalised version of the trip to Tunisia taken by the author's elderly parents. Musing upon postcolonial politics and perspectives, it also considers the lyrical form the author used at the beginning of his literary career and the wit, style and drama that readers can discover in his newer works.
