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In March 2020 secret lovers Russell Hill and Carol Clay disappeared in Victoria's remote Wonnangatta Valley. Greg Haddrick tells the gripping inside story of the twists and turns of the police investigation and the trial of pilot Greg Lynn, with many details that haven't previously been made public. 'No-one tells a true crime story better than Haddrick.' - John Silvester 'Few true crime books take the reader so fully inside the minds of detectives hunting an apex predator ... it's as addictive as the best crime thrillers.' - Matthew Condon OAM, journalist and author In March 2020 a couple disappears from the remote Wonnangatta Valley, leaving a burnt-out campsite. Russell Hill and Carol Clay...
Accomplished television writer Greg Haddrick presents a unique insight into the specialised format of television series and serials. More than just a manual on writing for television, this book critically assesses the best of Home and Away, Breakers, Good Guys, Bad Guys, Blue Heelers and Wildside in the light of the special conditions under which television drama is produced.
In both TV series and serials, the best screenplays are excellent, yet largely unrecognised -- because television screenplays are rarely published or critically assessed in terms of the restriction and conventions under which they are written. Consequently, the most popular and possibly the most influential art form in the Western world is the least studied. This book features five outstanding screenplays chosen by acclaimed television writer Greg Haddrick: Home and Away, Breakers, Good Guys, Bad Guys, Blue Heelers and Wildside.
This book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices – in which ideas, emotions, people and personalities combine, cohere and clash – are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks ‘into’ script development from a theoretical perspective, and second looks ‘out from’ the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrain of script development, providing rich foundations for both study and practice.
A reporter for the Los Angeles Times once noted that “I Love Lucy is said to be on the air somewhere in the world 24 hours a day.” That Lucy’s madcap antics can be watched anywhere at any time is thanks to television syndication, a booming global marketplace that imports and exports TV shows. Programs from different countries are packaged, bought, and sold all over the world, under the watch of an industry that is extraordinarily lucrative for major studios and production companies. In Global TV, Denise D. Bielb and C. Lee Harrington seek to understand the machinery of this marketplace, its origins and history, its inner workings, and its product management. In so doing, they are led t...
In this book, Marco Ianniello investigates the complex art of television drama screenwriting, arguing that the screenplay itself, rather than the final product, is at the heart of the current success of the genre. Bridging a crucial gap between theory and practice through textual analyses of various case studies, Ianniello expands on television story structure theory and screenwriting practice by foregrounding story construction and character development in the serial drama. The development of these key frameworks – structure and character – will enable both screenwriting scholars and practitioners to better identify, assess, critique, and craft the complexities of the television drama screenplay.
THE #1 TRUE CRIME BESTSELLER. Serial killings, child abductions, organised crime hits and domestic murders. This is the memoir of a homicide detective. WINNER OF 2021 DANGER PRIZE FOR NON-FICTION Here I am: tall and broad, shaved head, had my nose broken three times fighting. Black suit, white shirt, the big city homicide detective. I've led investigations into serial killings, child abductions, organised crime hits and domestic murders. But beneath the suit, I've got an Om symbol in the shape of a Buddha tattooed on my right bicep. It balances the tattoo on my left ribs: Better to die on your feet than live on your knees. That's how I choose to live my life. As a cop, I got paid to catch ki...
Television drama has been the dominant form of popular storytelling for more than sixty years, shaping the imaginations of millions of people. This book surveys the careers of the central creators of those stories for Australian television—the writers who learnt how to work in a new medium, adapting to its constraints and exploring its creative possibilities. Informed by interviews with many writers, it describes the establishment of Australian television drama production, observing the way writers grasped the creative and business opportunities that television presented. It examines the development of Australian versions of the major television genres—the sitcom, the police drama, the h...
A chronological listing of the creative output and other antics of the members of the British comedy group Monty Python, both as a group and individually. Coverage spans between 1969 (the year Monty Python's Flying Circus debuted) and 2012. Entries include television programs, films, stage shows, books, records and interviews. Back matter features an appendix of John Cleese's hilarious business-training films; an index of Monty Python's sketches and songs; an index of Eric Idle's sketches and songs; as well as a general index and selected bibliography.