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Beyond the Stars 3
The third of five volumes of new scholarship on American movie conventions. The 19 essays explore cinematic representations of such material items as food, weapons, clothing, tools, technology, and art and literature. Not illustrated. No index. Paper edition (unseen), $13.95. Annotation copyright by Book News, Inc., Portland, OR
Unfailing Love
Few women are better at communicating contagious enthusiasm for the truths of Scripture than bestselling author Karol Ladd. Exploring 1 John with her readers, Karol puts her finger on the longing for faithful and fulfilling love that’s deep inside every woman’s heart. Step by step, Karol helps her readers understand what happens when they embrace the truth of God’s love: They can experience His joy, strength, and comfort in daily life. They are transformed, because His love changes the way they see themselves. They begin to think differently about their circumstances and the people in their life. They can express His love to others through their words and actions, shining His light in dark places. As readers see the apostle John’s picture of how God is Light, Love, and Life, they will experience how He gives meaning to their existence, victory over their discouragements, and hope to the world.
Exhibited by Candlelight
Exhibited by Candlelight: Sources and Developments in the Gothic Tradition focuses on a number of strands in the Gothic. The first is Gothic as a way of looking. Paintings used as reference points, tableaux, or the Hammer Studios' visualizations of Dracula present ways of seeing which are suggestive and allow the interplay of primarily sexual passions. Continuity with the past is a further strand which enables us to explore how the sources of the Gothic are connected with the origin of existence and of history, both individual and general. Here, the Gothic offers a voice for writers whose perceptions do not fit into those of the dominant group, which makes them sensitive both to psychologica...
A Philosophy of Cover Songs
Cover songs are a familiar feature of contemporary popular music. Musicians describe their own performances as covers, and audiences use the category to organize their listening and appreciation. However, until now philosophers have not had much to say about them. In A Philosophy of Cover Songs, P.D. Magnus demonstrates that philosophy provides a valuable toolbox for thinking about covers; in turn, the philosophy of cover songs illustrates some general points about philosophical method. Lucidly written, the book is divided into three parts: how to think about covers, appreciating covers, and the metaphysics of covers and songs. Along the way, it explores a range of issues raised by covers, from the question of what precisely constitutes a cover, to the history and taxonomy of the category, the various relationships that hold between songs, performances, and tracks, and the appreciation and evaluation of covers. This unique and engaging book will be of interest to those working in philosophy of art, philosophy of music, popular music studies, music history, and musicology, as well as to readers with a general interest in popular music, covers, and how we think about them.
International Bibliography of Sociology 1995
The IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.
Strype's Works
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