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These essays, written by experts in their fields, demonstrate how necessary it is in the study of the humanities and social sciences to realize the interdependency of the fields and how rich the resulting study can be.
Queers and trans people in the 1980s and early '90s were dying of AIDS and the government failed to care. Lovers, strangers, artists, and community activists came together take care of each other in the face of state violence.These early HIV care-giving narratives continue to shape how we understand our genders and our disabilities, forming ongoing chosen families for body self-determination.
Considers four blockbuster sitcoms, defined as a series program that achieved audience ratings markedly higher than those of any of its contenders, looking at The Beverly Hillbillies, All in the Family, Laverne and Shirley (with Happy Days), and The Cosby Show. Staiger teaches communication at the University of Texas- Austin. c. Book News Inc.
This book offers a new way of thinking about film endings. Whereas existing works on the subject concentrate on narrative resolution, this book explores the way film endings blend together a complex of motifs, tropes and other elements to create the sense of an ending—that is, it looks at ‘endings as endings’. Drawing on a wide range of examples taken from films of different periods and national cinemas, the author identifies three key features which structure the work: thresholds and boundaries, water, and, above all, the beach. The beach combines water and a boundary and is the most resonant of the key sites to which film endings gravitate. Although beach endings go back to at least 1910, they have increased markedly in post-classical cinema, and can be found across all genres and in films from many different countries. As the leading example of the book’s argument, they illustrate both the aesthetic richness and the structural complexity of film endings.
This book argues that the primacy of the market in celebrity obsessed culture reveals a new variety of African American celebrities to be unreliable indicators of Black America.
This concise text will help readers understand the ongoing fascination with do-it-yourself media around the world. Ellie Rennie explains how community media has, since its beginning, challenged the mainstream. A clear and useful guide for students, Community Media lays out the terrain in which community media theory and advocacy have located themselves, including the ideals of participation, community, and social change.
Analyzes the evolution of homelessness policy in terms of local rules and regulations and judicial challenges to them. Blends political theories with discussions of the real struggles of citizens who are deprived of their full rights.