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Studio Job (Job Smeets and Nynke Tynagel) is one of the most important contemporary design and art collectives working today. This book documents 10 years of their work and is in conjunction with a major survey exhibition at the Groninger Museum, the Netherlands.
David Bowie's career as a pioneering artist spanned nearly 50 years and brought him international acclaim. He continues to be cited as a major influence on contemporary artists and designers working across the creative arts. This book, published to accompany the blockbuster international exhibition launched at London's Victoria and Albert Museum, is the only volume that grants access to Bowie's personal archive of performance costumes, ephemera, and original design artwork by the artist, bringing it together to present a completely new perspective on his creative work and collaborations. The book traces his career from its beginnings in London, through the breakthroughs of Space Oddity and T...
"Joris Laarman Lab has focused on research and experimentation. Joris Laarman and his team pioneer in the domains where art, design, science and technology meet. A focus on new theories and production methods are tested and refined, and the cooperation between the high-tech world and the tradition of craftsmanship are of fundamental importance. With this work, Joris Laarman Lab pushes the boundaries of future sciences as they continue to explore, develop and innovate."--Page 15.
Museums are among the iconic buildings of the twenty-first century, as remarkable for their architectural diversity as for the variety of collections they display. But how does the architecture of museums affect our experience as visitors? This book proposes that by seeing space as common ground between architecture and museology, and so between the museum building and its display, we can illuminate the individuality of each museum and the distinctive experience it offers - for example, how some museums create a sense of personal exploration, while others are more intensely didactic, and how the visit in some cases is transformed into a spatial experience and in other cases into a more socia...
New Museum Theory and Practice is an original collection ofessays with a unique focus: the contested politics and ideologiesof museum exhibition. Contains 12 original essays that contribute to the field whilecreating a collective whole for course use. Discusses theory through vivid examples and historicaloverviews. Offers guidance on how to put theory into practice. Covers a range of museums around the world: from art tohistory, anthropology to music, as well as historic houses,cultural centres, virtual sites, and commercial displays that usethe conventions of the museum. Authors come from the UK, Canada, the US, and Australia, andfrom a variety of fields that inform cultural studies.
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The first monograph on the indefatigable explorer of relationships between people, technology, and environmental issues Dutch artist, Daan Roosegaarde, is one of the most innovative artists to emerge in the past decade. His sculptures and installations, made in collaboration with a team of engineers and designers, aim to create better conditions in cities and to make difficult areas habitable again, by rethinking processes and upgrading urban structures. At the core of Roosegaarde's practice is schoonheid, a Dutch word that stands both for 'clean-ness' and 'beauty.' It is this that has informed some of his most popular public projects, including Waterlicht (a virtual flood that shows the force of water); Smog Free Project (a large outdoor air purifier that turns smog into jewelry), and Smart Highway (an interactive road that charges throughout the day and glows at night).
The work of Memphis, the Milanese design group led by Ettore Sottsass, which produced furniture and artifacts between 1981 and 1988.
Hendrik Werkman, born in Groningen, Holland in 1882, was a printer, typographer, painter and printmaker. He is best known for his asymmetric typographic compositions and for his experimentation with letterpress printing techniques. He also printed without the press, a technique he called 'not printing'. In Graphic Design: A Concise History, Richard Hollis wrote: Werkman's uninhibited graphic invention has been an inspiration to graphic designers anxious to introduce an obviously 'creative' effect Like Piet Zwart, Werkman used type as collage. From 1923-26 Werkman created and printed an experimental typographic magazine, The Next Call. During the German occupation of Holland in World War II he ran an underground press and produced 40 issues of a subversive broadsheet. The Blue Barge. In 1945 he was executed by the Nazis, only two days before the liberation of Holland. Much of his work was destroyed at this time.