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Fontana
  • Language: en
  • Pages: 279

Fontana

  • Categories: Art

Catalogue for the major retrospective of this breakthrough Italian artist.

Transnational Moments of Change
  • Language: en
  • Pages: 268

Transnational Moments of Change

Offering a broad introduction to the methodology & practice of transnational history, this work focuses on three defining moments of 20th century European history, when changes affected the whole of the continent.

The Work of Antonio Sant'Elia
  • Language: en
  • Pages: 284

The Work of Antonio Sant'Elia

Studie over het werk van de Italiaanse architect (1888-1916).

Breaking the Surface
  • Language: en
  • Pages: 355

Breaking the Surface

In Breaking the Surface, Doug Bailey offers a radical alternative for understanding Neolithic houses, providing much-needed insight not just into prehistoric practice, but into another way of doing archaeology. Using his years of fieldwork experience excavating the early Neolithic pit-houses of southeastern Europe, Bailey exposes and elucidates a previously under-theorized aspect of prehistoric pit construction: the actions and consequences of digging defined as breaking the surface of the ground. Breaking the Surface works through the consequences of this redefinition in order to redirect scholarship on the excavation and interpretation of pit-houses in Neolithic Europe, offering detailed c...

The PCI Artists
  • Language: en
  • Pages: 255

The PCI Artists

  • Categories: Art

This book examines the artistic policies of the Italian Communist Party (PCI) during the early post-war years (1944–1951), after the defeat of Fascism in Europe and the outbreak of the Cold War. It brings together theoretical debates on artists’ political engagement and an extensive critical apparatus, providing the reader with an historical framework for wider reflections on the relationship between art and politics. After 1944, the PCI became the biggest Communist organisation in the West, placing Italy in an ambiguous position regarding the other European countries. Nevertheless, the immediate strategy of the Communists was not revolution, but liberation from Fascism and the establish...

Mental Illnesses in Symbolism
  • Language: en
  • Pages: 191

Mental Illnesses in Symbolism

  • Categories: Art

For the artists, writers and musicians of the Symbolist Movement of the turn of the century, true art, an extension of one’s “soul” or unconscious, was often regarded as dark, mysterious and unreliable – the world of Dionysus. Such artists, writers and musicians searched for symbols to express or suggest psychological pathologies manifested in exaltation, madness, and other extreme mental states. Mental Illness in Symbolism inquires into the mysteries of the Symbolist psyche through essays on works of art, literature and music created as part or extension of the Symbolist Movement.

The Critical Eye
  • Language: en
  • Pages: 300

The Critical Eye

  • Type: Book
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  • Published: 1969
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  • Publisher: Unknown

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Noguchi East and West
  • Language: en
  • Pages: 368

Noguchi East and West

  • Categories: Art

An art history professor and author or editor of 30 books on art and culture maps the life of Japanese-American sculptor and designer Isamu Noguchi (1904-1988) and his spiritual journey, both in the events of his life and in the milestones of his art--the sculptures, gardens, public spaces, and stage decors that gained force and significance from Noguchi's double heritage. Photographs.

The Culture of Fragments
  • Language: en
  • Pages: 210

The Culture of Fragments

  • Categories: Art
  • Type: Book
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  • Published: 2023-11-20
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  • Publisher: BRILL

Works of art such as paintings with words on them or poems shaped as images communicate to the viewer by means of more than one medium. Here is presented a particular group of hybrid art works from the early twentieth century, to discover in what way words and images can function together to create meaning. The four central artists considered in this study investigate word/image forms in their work. F.T. Marinetti invented parole in libertà, among other ideas, to free language from syntactic connections. Umberto Boccioni experimented with newspaper clippings on the canvas from 1912-1915, and these collages constitute an important exploration into word/image forms. André Breton's collection...

111^ Asta Sant'Agostino
  • Language: it
  • Pages: 66

111^ Asta Sant'Agostino

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