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Becoming Native in a Foreign Land
How did British colonists in Victorian Montreal come to think of themselves as “native Canadian”? This richly illustrated work reveals that colonists adopted, then appropriated, Aboriginal and French Canadian activities such as hunting, lacrosse, snowshoeing, and tobogganing. In the process, they constructed visual icons that were recognized at home and abroad as distinctly “Canadian.” This new Canadian nationality mimicked indigenous characteristics but ultimately rejected indigenous players, and championed the interests of white, middle-class, Protestant males who used their newly acquired identity to dominate the political realm. English Canadian identity was not formed solely by emulating what was British; this book shows that it gained ground by usurping what was indigenous in a foreign land.
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Certain Difficulty of Being
In the Preface to A Certain Difficulty of Being Purdy examines the kinds of discourse that deal with the novel in some nineteenth-century Quebec novel prefaces, thereby revealing a theme of generic denegation in the sense of "This is not a novel." Purdy goes on to explore the transition from epic to novel in Félix-Antoine Savard's Menaud, maître-draveur; the contradictions stemming from the use of a first-person, present-tense narrative in André Langevin's Poussière sur la ville; the problem of narrativity and history as it is raised in Hubert Aquin's Prochain épisode; and the way in which narrative voice functions in Anne Hébert's Kamouraska. He also touches on the current debate conc...
State and Society in Transition
Using a variety of documentary sources, including hundreds of petitions, letters, and reports to the government, Little traces the complex relationship between community life and government regulation. He reveals that at the same time development of responsible government was leading to increasingly centralized authority at the provincial level, a persistent sense of localism was forcing the state to decentralize its new institutions at the community level. The local population of this largely American-settled corner of Quebec, Little shows, clearly exerted an important influence on the evolution of the education, legal, social welfare, and municipal systems. State and Society in Transition makes a major contribution to the study of state formation in the recently unified province of Canada by taking into account not only the dialectical process between the centre and periphery but also the impact of institutional reform on social and economic development in general.
Consuming Modernity
Positioning consumer culture in Canada within a wider international context, Consuming Modernity explores the roots of modern Western mass culture between 1919 and 1945, when the female worker, student, and homemaker relied on new products to raise their standards of living and separate themselves from oppressive traditional attitudes. Mass-produced consumer products promised to free up women to pursue other interests shaped by marketing campaigns, advertisements, films, and radio shows. Concerns over fashion, personal hygiene, body image, and health reflected these new expectations. This volume is a fascinating look at how the forces of consumerism defined and redefined a generation.
Creating Societies
Dirk Hoerder shows us that it is not shining railroad tracks or statesmen in Ottawa that make up the story of Canada but rather individual stories of life and labour - Caribbean women who care for children born in Canada, lonely prairie homesteaders, miners in Alberta and British Columbia, women labouring in factories, Chinese and Japanese immigrants carving out new lives in the face of hostility. Hoerder examines these individual experiences in Creating Societies, the first systematic overview of the total Canadian immigrant experience. Using letters, travel accounts, diaries, memoirs, and reminiscences, he brings the immigrant's experiences to life. Their writings, often recorded for grandchildren, neighbours, and sometimes a larger public, show how immigrant lives were entwined with the emerging Canadian society. Hoerder presents an important new picture of the emerging Canadian identity, dispelling the Canadian myth of a dichotomy between national unity and ethnic diversity and emphasizing the long-standing interaction between the members of a different ethnic groups.
The Suburb of Dissent
A study of a range of leftist literature of the 30s in its cultural milieu.
Prejudice and Pride
As a country with enormous economic, military, and cultural power, the United States can seem an overwhelming neighbour - one that demands consideration by politicians, thinkers, and cultural figures. Prejudice and Pride examines and compares how English and French Canadian intellectuals viewed American society from 1891 to 1945. Based on over five hundred texts drawn largely from the era's periodical literature, the study reveals that English and French Canadian intellectuals shared common preoccupations with the United States, though the English tended to emphasize political issues and the French cultural issues. Damien-Claude Belanger's in-depth analysis of anti-American sentiment during this era divides Canadian thinkers less along language lines and more according to their political stance as right-wing, left-wing, or centrist. Significantly, the era's discourse regarding American life and the Canadian-American relationship was less an expression of nationalism or a reaction to US policy than it was about the expression of wider attitudes concerning modernity.
Literature and Painting in Quebec
This unique study explores how Quebec's landscapes have been represented in both literature and visual art throughout the centuries, from the writing of early explorers such as Cartier and Champlain to work by prominent contemporary authors and artists from the province. William J. Berg traces recurrent images and themes within these creations through the most significant periods in the development of a Quebecois identity that was threatened initially by the wilderness and indigenous populations, and later by the dominance of British and American influences. Focusing on the interplay between nature and culture in landscape representation, Literature and Painting in Quebec contends that both have reflected and fashioned the meaning of French-Canadian nationhood. As such, Literature and Painting in Quebec presents a new perspective to approach the notion of national identity, a quest that few groups have engaged in more persistently than the Quebecois.
