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This book examines the processes of adaptation across a number of intriguing case studies and media. Turning its attention from the 'what' to the 'how' of adaptation, it serves to re-situate the discourse of adaptation studies, moving away from the hypotheses that used to haunt it, such as fidelity, to questions of how texts, authors and other creative practitioners (always understood as a plurality) engage in dialogue with one another across cultures, media, languages, genders and time itself. With fifteen chapters across fields including fine art and theory, drama and theatre, and television, this interdisciplinary volume considers adaptation across the creative and performance arts, with a single focus on the collaborative.
Demonstrates how contemporary fiction in French has become a polycentric and transnational field of vibrant and varied experimentation.
Major transformations in society are always accompanied by parallel transformations in systems of social communication what we call the media. In this book, historian Frédéric Barbier provides an important new economic, political and social analysis of the first great 'media revolution' in the West: Gutenbergs invention of the printing press in the mid fifteenth century. In great detail and with a wealth of historical evidence, Barbier charts the developments in manuscript culture in the twelfth and thirteenth centuries, and shows how the steadily increasing need for written documents initiated the processes of change which culminated with Gutenberg. The fifteenth century is presented as t...
The Almanach de la Cour, Seconde Édition, is composed of two sections. The first presents the royal and princely households at the court of Versailles, provides notices concerning the functions and benefits of the offices and lists the officers and employees. The second section provides an alphabetical list of the officers and employees, their birth and death dates, and titles, followed by their lodging at the court, their profits, pensions and fortunes as well as quotes from the anecdotal literature. The information is based almost entirely on archival and manuscript documentation.
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Mercure de France