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Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon became the editor in 2000. The subject categories for Volume 58 are as follows: Electronic Resources for the Humanities Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Philosophy: Latin American Thought Music
This book analyzes the relationship between art and politics in two contrasting modern dictatorships. Through a detailed look at the Chilean and Romanian dictatorships, it compares the different ways in which political regimes convey their view of the world through artistic means. It examines how artists help \ convey a new understanding of politics and political action during repressive regimes that are inspired by either communism or anti-communism (neoliberalism, traditionalist, conservative). This book demonstrates how artistic renderings of life during dictatorships are similar in more than one respect, and how art can help better grasp the similarities of these regimes. It reveals how dictatorships use art to symbolically construct their power, which artists can consolidate by lending their support, or deconstruct through different forms of artistic resistance.
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When it was first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, e...
“Encargos Comunes” se presenta como un proyecto editorial que resume, a partir de tres obras de arquitectura, la práctica e investigación desarrollada por la oficina de arquitectura Taller25 en torno a esta profesión y su vínculo con la clase media contemporánea chilena. Estas obras identifican y visibilizan tres demandas sobre la vivienda: una Construcción nueva, una Reforma y una Ampliación, realizadas en comunas que normalmente se conocen como “Pericentrales” y “Periféricas” de la región Metropolitana (Lo Prado, San Bernardo y Maipú), cuyos mandantes o dueñas/os se inscriben en lo que estadísticamente se define como la clase media, transformándose así en un compendio atípico dentro de la disciplina de la arquitectura. De esta manera, la publicación propone una discusión crítica sobre la producción de la vivienda, y no de cualquier vivienda, sino de las más comunes de todas y, paradójicamente, menos abordadas desde el campo editorial y de divulgación en el área, como pueden ser las operaciones sobre la vivienda de y para los sectores medios.
Contains scholarly evaluations of books and book chapters as well as conference papers and articles published worldwide in the field of Latin American studies. Covers social sciences and the humanities in alternate years.
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Arranged alphabetically from Eduardo Abela to Francisco Zuniga, this volume provides biographical and career information, as well as critical essays, on prominent Hispanic artists.