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"What happens to a people ... when it becomes divided and separated through a great overseas migration? ... how do the two parts of such a divided people relate to each other? What ideas do they have regarding each other as the process continues and as time and circumstance cause them to develop in separate ways of their own? The purpose of this book is to seek answers to such questions in the case of the Swedes during the period of their great migration, between roughly 1840 and 1940." -- Pref.
The Reception of Charles Dickens in Europe offers a full historical survey of Dickens's reception in all the major European countries and many of the smaller ones, filling a major gap in Dickens scholarship, which has by and large neglected Dickens's fortunes in Europe, and his impact on major European authors and movements. Essays by leading international critics and translators give full attention to cultural changes and fashions, such as the decline of Dickens's fortunes at the end of the nineteenth century in the period of Naturalism and Aestheticism, and the subsequent upswing in the period of Modernism, in part as a consequence of the rise of film in the era of Chaplin and Eisenstein. It will also offer accounts of Dickens's reception in periods of political upheaval and revolution such as during the communist era in Eastern Europe or under fascism in Germany and Italy in particular.
From an Existential Vacuum to a Tragic Optimism: The Search for Meaning and the Presence of God in Modern Literature employs a new theoretical approach to critical analysis: Victor Frankl’s logotherapy (from the Greek “logos” for word or reason and often related to divine wisdom), a unique form of existentialism. On the basis of his observations of the power of human endurance and transcendence – the discovery of meaning even in the midst of harrowing circumstances – Frankl diagnoses the malaise of the current age as an “existential vacuum,” a sense of meaninglessness. He suggests that a panacea for this malaise may be found in creativity, love, and moral choice – even when f...
In the decade following World War I, American literature won a large and enthusiastic reading public in Europe. With the exception of such writers as James Fenimore Cooper, Edgar Allan Poe, and Mark Twain, American literature had been virtually unknown before the war, yet, in 1930, Sweden awarded the Nobel Prize in literature to Sinclair Lewis, probably the most dramatic sign of the critical upheaval that had been taking place in European attitudes toward American culture. The Swedish Acceptance of American Literature is a study of this radical shift in opinion as it occurred in Sweden. It first examines the sources of the conventional prejudices against American Literature in vogue at the end of World War I. It then shows how these prejudices had been strengthened by the reaction of Swedish critics to Jack London and Upton Sinclair and how they became, paradoxically, the basis in the next decade of the enthusiastic reception accorded Sinclair Lewis, Theodore Dreiser, Edith Wharton, and other American writers. The book concludes by indicating some of the aftereffects in Sweden of the award of the Nobel Prize to Lewis.
William Faulkner (1897-1962) remains the pre-eminent literary chronicler of the American South and a giant of American arts and letters. Creatively obsessed with problems of race, identity, power, politics, and family dynamics, he wrote novels, stories, and lectures that continue to shape our understanding of the region's promises and problems. His experiments and inventions in form and style have influenced generations of writers. Originally published in 1974 as a two-volume edition and extensively updated and condensed in a 1991 reissue, Joseph Blotner's Faulkner: A Biography remains the quintessential resource on the Nobel laureate's life and work. The Chicago Tribune said, "This is an ov...
This is the first book written for an English language audience on the work of the Finland-Swedish author, Runar Schildt (1888-1925). Schildt was a highly cosmopolitan writer, who kept a keen eye on the latest continental prose and showed an affinity for the literary decadence that was in fashion around the turn-of-the-century, as well as early modernism. He worked as a literary critic, a theater director, and a translator, which kept him in touch with the latest literary trends in Europe. The book posits that Schildt’s work bears witness to the turbulent times he lived in: he saw his native Finland transformed from a Grand Duchy of Russia to a republic, against the backdrop of the Russian Revolution and the Finnish Civil War. Schildt’s literary career provides important cultural and historical insights into this significant moment of modern European history.
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Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals