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"Griet approached the house via the kitchen and poured the potion into a glass, put it on a tray, and brought it into the hall. She offered it to the doctor with her characteristic little Victorian curtsy. He smelled it – wonderful herbal scent. But what, he thought for a moment, if it's poisonous?" First published in 1989, Guy Butler's Tales from the Old Karoo is considered to be one of the classics of South African literature. In celebration of the author's birth in 1918, this centenary issue is newly packaged and designed to appeal to a modern audience. The short stories in this collection are all set in the old Karoo – in a place and time before tarred roads, television and the internet replaced horse-drawn carriages, steam-engine trains and fireside storytelling. In his characteristically dry, humorous style, Guy Butler captures the essence of the people and landscape of the Karoo. It is a collection of delightful yarns and reminiscences about real ghosts, imaginary people, stubborn farm animals, and events that never happened – stories so strange they can only be true.
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Of all the Old West figures whose images eventually found their way into our popular culture, none was better known than Wild Bill Hickok. This book, a companion volume to Joseph Rosa’s exhaustive biography, They Called Him Wild Bill, reproduces in one volume nearly all the known portraits of Wild Bill, together with photographs of his family, his friends, his foes, and the places that knew him.
Even before his death in 2001, he was seen as a `grand old man' in South African literature, rather than as a writer for a new generation of readers. Yet much of Butler's writing was [and still is] subversive and intellectually compelling; it has enduring literary value. His response to the South African situation presents us with a challenge: to acknowledge frankly those elements in his work that distance him from us, without losing sight of the significance it holds. --
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Butler turns Euripides' play 'Medea' into a political allegory of the South African situation as he saw it.
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. This book sets out to understand how the meaning of ‘literature’ was transformed in the Global South in the post-1945 era. It looks at institutional contexts in South Africa (mainly Johannesburg), Brazil (São Paulo), Senegal (Dakar) and Kenya (Nairobi), and engages with critical writing in English, Portuguese and French. Critics studied in the book include Antonio Candido, Tim Couzens, Isabel Hofmeyr, Es’kia Mphahlele, Léopold Senghor, Taban Lo Liyong and Ngugi wa Thiong’o. By reading these intellectuals of the Global South as producers of theory and practice in their o...