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What if Dunkirk had been the end of Britain's war against the Nazis? 'Fatherland for an action movie age.' Daily Telegraph 1952. It is more than a decade since humiliation at Dunkirk brought an end to Britain's war and the beginning of an uneasy peace with Hitler. In Africa, the swastika flies from the Sahara to the Indian Ocean. Gleaming autobahns bisect the jungle, jet fighters patrol the skies. The brutal presence of the SS is visible everywhere. Now, however, the demonic plans of Walter Hochburg - architect of Nazi Africa - threaten Britain's ailing colonies. In England, ex-mercenary Burton Cole is offered one last contract. Burton jumps at the chance to settle an old score with Hochburg...
From Guy Saville, the explosive new thriller of a world that so nearly existed Africa, 1952. More than a decade has passed since Britain's humiliation at Dunkirk brought an end to the war and the beginning of an uneasy peace with Hitler. The swastika flies from the Sahara to the Indian Ocean. Britain and a victorious Nazi Germany have divided the continent. The SS has crushed the native populations and forced them into labor. Gleaming autobahns bisect the jungle, jet fighters patrol the skies. For almost a decade an uneasy peace has ensued. Now, however, the plans of Walter Hochburg, messianic racist and architect of Nazi Africa, threaten Britain's ailing colonies. Sent to curb his ambitions is Burton Cole: a one-time assassin torn between the woman he loves and settling an old score with Hochburg. If he fails unimaginable horrors will be unleashed on the continent. No one – black or white – will be spared. But when his mission turns to disaster, Burton must flee for his life. It is a flight that will take him from the unholy ground of Kongo to SS slave camps to war-torn Angola – and finally a conspiracy that leads to the dark heart of The Afrika Reich itself.
Colin Saville grows up in a mining village in South Yorkshire, against the background of war, of an industrialised countryside, of town and coalmine and village.
A major source for the BBC drama The Reckoning Winner of the 2015 Gordon Burn Prize and the 2015 CWA Non-Fiction Dagger Shortlisted for the Orwell Prize and the James Tait Black Prize Dan Davies has spent more than a decade on a quest to find the real Jimmy Savile, and interviewed him extensively over a period of seven years before his death. In the course of his quest, he spent days and nights at a time quizzing Savile at his homes in Leeds and Scarborough, lunched with him at venues ranging from humble transport cafes to the Athenaeum club in London and, most memorably, joined him for a short cruise aboard the QE2. Dan thought his quest had come to an end in October 2011 when Savile's gold...
Step inside The Magic Cottage, another chilling classic from the Master of Horror James Herbert. A cottage was found in the heart of the forest. It was charming, maybe a little run-down, but so peaceful – a magical haven for creativity and love. But the cottage had an alternative side – the bad magic. What happened there was horrendous beyond belief . . .
This book considers value as it is theorised, practiced, and critiqued from varied disciplinary perspectives. Value's growing currency within social, cultural, and environmental policy is the latest manifestation of a long running faith in this concept.
'Deighton's best book ... an absorbingly exciting spy story that is also a fascinating exercise in might-have-been speculation' The New York Times Book Review It is 1941 and Germany has won the war. Britain is occupied, Churchill executed and the King imprisoned in the Tower of London. At Scotland Yard, Detective Inspector Archer tries to do his job and keep his head down. But when a body is found in a Mayfair flat, what at first appears to be a routine murder investigation sends him into a world of espionage, deceit and betrayal. 'Len Deighton is the Flaubert of contemporary thriller writers ... this is much the way things would have turned out if the Germans had won' The Times Literary Supplement
Richard Hollis was the graphic designer for London's Whitechapel Art Gallery in the years 1969-73 and 1978-85. In this second period, under the directorship of Nicholas Serota, the gallery came to the forefront of the London art scene, with pioneering exhibitions of work by Georg Baselitz, Anselm Kiefer, Joseph Cornell, Philip Guston, Frida Kahlo and Tina Modotti, among others. Hollis's posters, catalogues, and leaflets, conveyed this sense of discovery, as well as being models of practical graphic design. The pressures of time and a small budget enhanced the urgency and richness of their effects. Christopher Wilson's monograph is an exemplary examination of a body of graphic design. This book matches the spirit of the work it describes: active, passionate, aesthetically refined, and committed to getting things right. As in Hollis's work, "design" here is a verb as much as a noun.
A woman, a man, a rape, and a hard journey from violence to reconciliation. One ordinary spring morning in Reykjavik, Thordis Elva kisses her son and partner goodbye before boarding a plane to do an extraordinary thing: fly seven thousand miles south to meet up with the man who raped her when she was just sixteen. Meanwhile, in Sydney, Australia, Tom Stranger nervously embarks on an equally life-changing journey, wondering whether he is worthy of this meeting. After exchanging hundreds of searingly honest emails over eight years, Thordis and Tom decided it was time to speak face to face. Coming from opposite sides of the globe, they meet in the middle, in Cape Town, South Africa, a country t...
What would have happened if Hitler had won World War II?