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Writing Creative Non-Fiction
Writers of creative non-fiction are often expected to be able to recreate reality, to deal with, or even access, a singular truth. But the author, like any human, is not an automaton remotely tasked with capturing a life or an event. Whether we tell stories and understand them as fiction or non-fiction, or whether we draw away from these classifications, writers craft and shape writing all writing. No experience exists on a flat plane, and recounting or interpreting events will always involve some element of artistic manipulation: every instance, exchange, discussion, event is open to multiple interpretations and can be described in many ways, all of which are potentially truthful. Writing C...
Art Criticism Online
The mainstream press often celebrates the ‘tweeting’, ‘facebooking’ and ‘gramming’ of art commentary. Yet online forms of art criticism have a much longer and more varied history than we think. Far preceding the art discussions happening on the likes of Twitter and Facebook. Before art discussions took place on social media, there were networked art projects and art critical Bulletin Board Systems, email discussion lists and blogs. Art Criticism Online: A History provides the first in-depth history of art criticism following the Internet. The book considers the core stages of development and considers where critical practice is heading in the future. Charlotte Frost's Art Critici...
Interactive Art and Embodiment
Nathaniel Stern's 'Interactive Art and Embodiment' defies the world of interactive art and new media from the perspective of the body and identity. It presents the ongoing and emergent processes of embodiment in art and includes immersive descriptions of interactive artworks.
Seeing Galileo
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Art and Idea in the Novels of China Miéville
This book offers (in the first six chapters) critical readings of six novels by China Miéville, which are followed (in the seventh chapter) by a theoretical meditation on some of the conceptual issues raised by and engaged in the Miéville oeuvre. There comes a moment in The City & the City, though it is not necessarily the same moment for every reader, when you realise that Beszel and Ul Qoma are not separate realms but the same space divided. Likewise, art and idea are often subject to absurd partition, but then along comes an author such as China Miéville who shows them to be, in truth, indissoluble. So argues Freedman's inordinately readable and just as rigorous account of Miéville's ...
David Mitchell
The outcome of the first international conference on David Mitchell's writing, this collection of critical essays focuses on his first three novels - 'Ghostwritten', 'number9dream' and 'Cloud Atlas' - to provide an analysis of Mitchell's complex narrative techniques and the literary, political and cultural implications of his work.
Nicola Barker
Nicola Barker's exuberant novels here receive the scholarly attention they deserve in a collection of essays which moves chronologically through her oeuvre. The chapters are broad-ranging, placing Barker's work in its contemporary context and collectively making a convincing case for her importance as one of our most inventive novelists. Contents Foreword Nicola Barker The Barkeresque Mode: An Introduction Berthold Schoene Indie Style: Reversed Forecast and a Turn-of-the-Century Aesthetic Ben Masters 'Temporary People': Wide Open as an Island Narrative Daniel Marc Janes 'You grew up in this shithole, then?': Literary Geographics and the Thames Gateway Series Len Platt 'The Pair of Opposites ...
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