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This translation originally copyrighted in 2010.
In this rich, eye-opening, and uplifting digital anthology, dozens of esteemed writers, poets, and artists from more than thirty countries send literary dispatches from life during the pandemic. Net proceeds benefit booksellers in need. As our world is transformed by the coronavirus pandemic, writers offer a powerful antidote to the fearful confines of isolation: a window onto lives and corners of the world beyond our own. In Mauritius, a journalist contends with denialism and mourns the last days of summer, lost to the lockdown. In Paris, a writer struggles to protect his young son from fear. In Chile, protesters who prevailed against tear gas and rubber bullets are now halted by a virus. I...
Sixty years in the making and the capstone of a monumental literary career, The Diaries of Emilio Renzi: A Day in the Life is the final volume of the autobiographical trilogy from the author who is considered Borges’ heir and the vanguard of the Post-Boom generation of Latin American literature. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world. How could we define a perfect day? Maybe it would be better to say: how could I narrate a perfect day? Is that why I write a diary? To capture—or reread...
This volume presents the works of three distinguished contemporary Hungarian playwrights which together mirror and elucidate the calamitous history of East Central Europe from World War II to the 1970s. Genre 3:
The blood-soaked Balkan Wars have come to an end after years of violence, hatred, and extreme genocide. For a soldier named Tom, however, the battle has just begun. He is recruited in secret to hunt war criminals-some of whom are still in power. Europe cannot handle another period of embattlement; national forces will stop at nothing to keep the well-earned peace. This is where Tom comes in. He is recruited by an old friend to track and hunt the worst of the worst and bring them to justice before an international court. He heads into war-ravaged Bosnia, and, although his intentions are good, it isn't always easy finding the bad guy. Political unrest is still prevalent, and it seems as though no one is willing to help this ambitious soldier on a mission to do right. Worse, there could be a leak in their own department. Tom suspects there's a mole, so it's his team's first duty to destroy the villain. Then, they can go after the head honcho-the president of Serbia. Nothing is clear on the battlefront; friends be-come enemies, and enemies become friends. Tom must travel the whole of Europe to find his target, but he will stop at nothing to bring justice to an unjust world.
The first multi-author international anthology of Eastern European plays to deal with the fall of Communism. Includes: Portrait by Slawomir Mrozek (Poland); Chickenhead by György Spiró (Hungary); Military Secret by Dusan Jovanovic (Slovenia); Horses at the Window by Matei Visniec (Romania); and Sorrow, Sorrow, Fear, the Rope, and the Pit by Karel Steigerwald (Czechoslovakia).
Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or ?inter-theatricality? as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. In the Soviet bloc the theater of the absurd, experimentation, irony, and intertextual distancing (estrangement) were much more than mere aesthetic language games, but were planned political strategies that used indirection to say what could not be said directly. Plays by Romanian, Hungarianÿand Bulgarian dramatists are examined, who are ?retrofitting? the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region?s traumatic history. By the sustained analysis of the aesthetic devices used as political tools, Orlich makes a very strong case for the continued relevance of the theater as one of the subtlest media in the public sphere. She embeds her close readings in a thorough historical analysis and displays a profound knowledge of the political role of theater history. ÿ
Alberto Manguel praises the Hungarian writer László Földényi as “one of the most brilliant essayists of our time.” Földényi’s extraordinary Melancholy, with its profusion of literary, ecclesiastical, artistic, and historical insights, gives proof to such praise. His book, part history of the term melancholy and part analysis of the melancholic disposition, explores many centuries to explore melancholy’s ambiguities. Along the way Földényi discovers the unrecognized role melancholy may play as a source of energy and creativity in a well-examined life. Földényi begins with a tour of the history of the word melancholy, from ancient Greece to the medieval era, the Renaissance, ...
Presents a selection of the best works of short fiction of the past year from a variety of acclaimed sources.
Hard to believe but true: - The Passover Seder is a Greco-Roman symposium banquet - The Talmud rabbis presented themselves as Stoic philosophers - Synagogue buildings were Roman basilicas - Hellenistic rhetoric professors educated sons of well-to-do Jews - Zeus-Helios is depicted in synagogue mosaics across ancient Israel - The Jewish courts were named after the Roman political institution, the Sanhedrin - In Israel there were synagogues where the prayers were recited in Greek. Historians have long debated the (re)birth of Judaism in the wake of the destruction of Jerusalem and the Temple cult by the Romans in 70 CE. What replaced that sacrificial cult was at once something new–indebted to...