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Jacques Derrida's writings often embed the key themes of deconstruction in a notion of the thing. The Event of the Thing is the most complete examination to date of Derrida's understanding of thinghood and its crucial role in psychoanalysis, ethics, literary theory, aesthetics, and Marxism. Arguing that the thing, as a figure of otherness, destabilizes the metaphysical edifice it underlies, Michael Marder reveals the contributions it makes to critiques of humanism and idealism. Subsequently, the new realism that emerges from deconstruction holds the possibility of an event that problematizes all attempts to objectify the thing. An illuminating analysis of Derrida and phenomenology, The Event of the Thing is an innovative and compelling study of a crucial aspect of one of the twentieth century's greatest thinkers.
A selection of modern French poems with critical commentary, glossary of literary terms, biographies and bibliography.
Do words--their sounds and shapes, their lengths and patterns--imitate the world? Mimology says they do. First argued in Plato's Cratylus more than two thousand years ago, mimology has left an important mark in virtually every major art and artistic theory thereafter. Mimology is the basis of language sciences and incites occasional hilarity. Genette treats matters as basic and staid as the alphabet and as reverberating as the letter R in ur-linguistics. Mimologics bridges mainstream literary history and Genette's expertise in critical method by undertaking an intensive study of the most vexed of literary problems: language as a representation of reality. --From publisher's description.
This study of Francis Ponge's essays on contemporary artists (L'Atelier contemporain) attempts to broaden the popular view of the author as a poet of objects. It explores Ponge's perception of art criticism as an inherently problematic genre and exposes the inhibitions surrounding the production of the essays. The study demonstrates how Ponge's essays on artists parallel developments in his other works. They are seen as instrumental in his movement towards open texts and a stress on the creative process itself, as well as opportunities to reaffirm his philosophical and aesthetic stance.
Preliminary Material -- Acknowledgements -- Questions of literature and time -- Marking time with Jacques Derrida -- Time returning: Maurice Blanchot -- The obstinate time of testimony: Louis-René des Forêts -- Still time: Samuel Beckett -- Making time for each other: Pierre Klossowski -- Fugal time: Roger Laporte -- Saving time: an invaluable offering -- Bibliography -- Index.
Spoiled Distinctions charts twentieth-century experiments in the aesthetics of the ordinary, arguing that Proust and his literary and philosophical successors (Francis Ponge, Nathalie Sarraute, Yasmina Reza, Pierre Bourdieu, and Roland Barthes, among others) multiply strategies for reading and valuing the everyday.
Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.
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This collection of essays introduces the ideas of philosopher Jacques Derrida who exerts a huge influence on literary criticism.
Miracle and Machine is a sort of "reader's guide" to Jacques Derrida's 1994-95 essay "faith and knowledge," his most important work on the nature of religion in general and on the unprecedented forms it is taking today through science and the media. It provides essential background for understanding Derrida's essay, commentary on its unique style and its central figures (e.g., Kant, Hegel, Bergson, and Heidegger), and assessment of its principal philosophical claims about the fundamental duplicity of religion and the ineluctably autoimmune relationship among religion, science, and the media. Along the way it offers in-depth analysis of Derrida's treatment of everything from the nature of rel...