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Paramātmā Sandarbha
Paramātmā Sandarbha is the third Sandarbha. This work describes Paramātmā, since Bhāgavatam delineates three aspects of the Lord: Bhagavān, Paramātmā and Brahman. One Sandarbha has already been dedicated to Bhagavān. Paramātmā is similar to Bhāgavan, having a form and qualities. However, Paramātmā in its three forms as Mahāviṣṇu, Garbhodakaśāyī and Kṣīrodakaśāyī functions in relation to creation, maintenance and destruction of the material universe. Bhagavān functions in relation to devotees in the spiritual world. As well as describing Paramātmā, this work describes the jīva in some detail, since the jīva-śakti takes shelter of Paramātmā. Some parts, particularly of the commentary, deal with arguments against Māyāvāda philosophy.
Tattva Sandarbha
The Sandarbhas are one of Jīva Gosvāmī's major works. Sandarbha literally means "stringing together." Baladeva explains, "The wise say a Sandarbha is that which possesses various matters of importance which should be known. Bhāgavatam verses are gathered together (sandṛbhyate)."In this case, it is a literary composition consisting of a series of prose sections mixed with verse mainly from Bhāgavatam. It is in six parts which explain Gauḍiya epistemology, theology and philosophy. Tattva Sandarbha deals with the epistemology, while Bhagavat, Paramātmā and Kṛṣṇa Sandarbhas deal with object of worship (sambandha). Bhakti Sandarbha deals with the process or abhidheya, bhakti, and...
The Nectar of Instruction
Eleven Lessons in the Ancient Science of Bhakti-yoga Across five centuries and half the globe comes this compact guidebook of essential spiritual teachings. How to choose a guru, how to practice yoga, even where to live — you'll find it all in this invaluable work originally written in Sanskrit by Srila Rupa Gosvami, the greatest spiritual genius of medieval India. Now translated and illuminated by Rupa Gosvami's modern successor, His Divine Grace A. C. Bhaktivedanta Swami Prabhupada, the Nectar of Instruction is the key to enlightenment for all seekers on the path of spiritual perfection.
Gīta Govinda
Jayadeva Gosvāmī's main work is Gīta Govinda, depicting the love of Rādhā and Kṛṣṇa. The famous description of the ten avatāras is included in it at the beginning. Through this work, the ten avatāras became well known. Kṛṣṇa is not included as one of the ten avatāras, but is regarded by Jayadeva the source of all the avatāras. This thus supports the conclusion of Śrīmad Bhāgavatam as explained by the Gosvāmīs hundreds of years later. Caitanya Mahāprabhu during his stay in Puri would recite verses of Gīta Govinda in remembrance of the pastimes of Rādhā and Kṛṣṇa.Gīta Govinda became a major cultural influence in Orissa, and spread to Andhra, Tamil Nadu and ...
Kṛṣṇa Bhāvanāmṛta
Śrī Kṛṣṇa-bhāvanāmṛta is a work describing the daily pastimes of Rādhā and Kṛṣna extending over a full day from early morning to late night. This follows after Govinda-līlāmṛta of Kṛṣṇa dāsa Kavirāja, one of the first Gauḍīya works on this topic and covers many of the same pastimes. Since a devotee eventually enters into the pastimes of the Lord in the spiritual world, the devotee may be inquisitive to understand the activities there and how he could participate in those activities. Since the Gauḍīyas generally concentrate on realization of Rādhā and Kṛṣna, most works describing the daily pastimes are concerned with their pastimes.
Laghu Vaiṣṇava Toṣaṇī
Sanātana Gosvāmī wrote Bṛhad-vaiṣṇava-toṣaṇī, an elaborate commentary on the Tenth Canto to explain in detail what Śrīdhara Svāmī covered briefly, and to give devotional meaning where Śrīdhara Svāmī gave brahmanvada explanations. Jīva Gosvāmī wrote Laghu-vaiṣṇava-toṣaṇī as a summary version of Bṛhad-vaiṣṇava-toṣaṇī. The commentaries on first eight chapters of the Tenth Canto are virtually the same but after that point there are increasing differences. Ultimately this commentary is approximately same size as the Bṛhad-vaiṣṇava-toṣaṇī. He completed this work in Śakābda 1504.
Saṅkalpa Kalpadruma
Saṅkalpa Kalpadruma
Navadvipa Dhama Mahatmya (Pramana Khanda)
Navadvipa Dhama Mahatmya (Pramana Khanda) penned by Srila Bhaktivinoda Thakura, is a cherished Gaudiya Vaishnava scripture. It illuminates the sacredness of Navadvipa, the birthplace of Lord Chaitanya Mahaprabhu. This profound text explores the region’s spiritual significance, recounting the divine pastimes and inspiring devotees with its profound teachings on devotion and love for God.
Chāndogya Upaniṣad
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Islam and the Vedas
A comparative study between Vedic tradition and the Koran is a helpful step towards cross-cultural appreciation. This study is not only meant to deepen one's own tradition but also hopes to promote harmony, unity and peace between individuals in the world. A basic knowledge of both traditions is awaiting the reader who will be surprised to discover that the Vedic tradition very much parallels the Islamic teachings. Within this book both scriptures are carefully examined with sobriety and scholarship. I truly hope that this study will help those sincere souls who are in search of the absolute truth. Lokantha Swami Director Bhaktivedanta Academy for Spiritual Science, India
