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"Scientific Investigation of Copies, Fakes and Forgeries is a comprehensive guide to the technical and scientific study of the authenticity of a wide range of antiquities and artworks. It is the first book to provide a full survey of the subject of forgery from a scientific basis, examining a wide range of materials and techniques." "The demand for copies, fakes and forgeries is driven by rising prices in an international marketplace. The book examines the available new technologies and ever more sophisticated forging techniques, looking at production and distribution of fraudulent artworks. The subject is exemplified by numerous internationally based case studies, some turning out not to be as conclusive as is sometimes believed." "The book is aimed at those who need to understand the available approaches to and methods of scientific and technical authentication, be they curator, collector, conservator or scientist." --Book Jacket.
Composed at the end of the editorial process, this provides a general overview of and introduction to the thirty eight volumes of the Discoveries in the Judaean Desert series and includes several indexes to the whole series.
"Recognizing conservation as a dynamic social force, the eighty-one readings in this volume draw attention to the cultural significance of textiles and dress, illustrating the intellectual foundations as well as important changes in conservation practice." -- Back cover.
Conservation of Easel Paintings is the first comprehensive text on the history, philosophy, and methods of treatment of easel paintings that combines both theory with practice. With contributions from an international group of experts and interviews with important artists, this volume provides an all-encompassing guide to necessary background knowledge in technical art history, artists' materials, scientific methods of examination and documentation, with sections that present varying approaches and methods for treatment, including consolidation, lining, cleaning, retouching, and varnishing. The book concludes with a section featuring issues of preventive conservation, storage, shipping, exhibition, lighting, safety issues, and public outreach. Conservation of Easel Paintings is a crucial resource in the training of conservation students and will provide generations of practicing paintings conservators and interested art historians, curators, directors, collectors, dealers, artists, and students of art and art history with invaluable information and guidance.
For most of Europe's long past we have no writing, no named individuals, no recorded deeds. This means that its history is almost entirely that of the ordinary individual--the hunger-gatherer, farmer, or metallurgist--rather than the king. Evidence of privileged elites and material splendor is not lacking, however. The skills and expertise of prehistoric Europeans were often employed in the production of exquisite jewelry, elaborately woven cloth, beautifully made tools, and finely wrought weapons. Though the palaces that have attracted excavators in other lands are absent, there are few monuments elsewhere in the world to rival Europe's massive megalithic tombs or great stone circles. And t...
Where was the Hanging Garden of Babylon and what did it look like ? Why did the ancient Greeks and Romans consider it to be one of the Seven Wonders of the World? Renowned Babylonian expert Stephanie Dalley delves into the legends filled with myth and mystery to piece together the enigmatic history of this elusive world wonder.
This book presents the first comprehensive overview of the Black Sea region in the prehistoric period.
Confronting contemporary issues in museum practice, this collection provides a practical guide to all aspects of collections care. Contributors cover a wide range of issues including: conservation practice the monitoring and control of light relative humidity and atmospheric pollution packing, handling and transportation of collections storage and access to collections biological infestation disaster planning. Including material and sources that have, up until now, not easily been available, students of museum studies and proffessionals within the industry now have this invaluable aid to their work.