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By considering the museum itself as art, rather than as a receptacle, this work argues for an improved understanding of the role museums play in shaping public discourse.
The Nietzsche Disappointment confronts Nietzsche's recurrent, symptomatic struggles with causal accounts. His explanations of past and future raise high hopes; when they fail they are responsible for profound disappointment.
While the public art field has grown rapidly, little attention has been paid to preservation. This collection of papers based on presentations delivered at a conference held in Massachusetts in 2001 addresses theoretical questions of permanence and public participation along with specific concerns, such as funding and legal responsibilities.
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Written entries on each artist offer key biographical and descriptive information and accompanying essays by leading critics, art historians, and scholars offer new perspectives on feminist art practice. The topics provide a broad social context for the artworks themselves.
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