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This book examines how territorial, civilisational and cultural location determines one’s gaze and attitude while representing a contested space like Tibet. It analyses representations of Tibet in three novels: James Hilton’s Lost Horizon (1933), Jamyang Norbu’s The Mandala of Sherlock Holmes (1999) and Kaushik Barua’s Windhorse (2013). It shows how these novels project different types of gaze — insider, outsider and insider-outsider — and explores them within the context of some contemporary Tibetan activist writers. The book also looks at Tibetan exilic writings and virtual activities of the Tibetan activists whose programmes and rhetoric counter the age-old image of the Tibeta...
The College Street Coffee House is still a much-revered institution in Kolkata. Its mystique lingers, despite its dilapidated appearance that evokes another era. Intellectuals from a range of disciplines met to discuss compelling ideas in a free-flowing style – the quintessential Bengali adda, punctuated with many cups of coffee. Twenty-six intellectual, political, and cultural icons including Rabin Mandal, Soumitra Chatterjee, Usha Ganguly, Gayatri Chakravorty Spivak, Sabyasachi Bhattacharya, and Ashim Chatterjee share their memories of Coffee House. Their portrait photos and absorbing reminiscences capture the tumultuous and changing intellectual, political, and cultural currents that surged through Bengal from the 1950s to the 1990s. “Such a pleasure to have this account of a great unofficial institution from a disarming multiplicity of perspectives - photographic, personal, and intellectual - and to listen in on its hubbub.”Amit Chaudhuri
Violent Belongings examines transnational South Asian culture from 1947 onwards in order to offer a new, historical account of how gender and ethnicity came to determine who belonged, and how, in the postcolonial Indian nation.
Contributed articles presented during the International Symposium on Signification in Buddhist and French Traditions held at Indian Institute of Advanced Study in Sept. 2001.
The book intends to capture the most critical issue that has cropped up as an aftermath of the Corona pandemic- the phenomenon of widening of global inequalities across nations depending upon their economic position, support policies of the government and international relationship particularly in the context of alarming growth of unemployed in the labour market, business activity and social sector. This book is expected to provide new areas of research to both academicians and policy makers to re-think about global cooperation for bridging the inequalities for a better world. It tries to incorporate the valuable contribution of experts from various fields of knowledge in a consolidated volume. This text will be revised once the chapters are finalized and put together in structured themes. The table of content lists some of the chapters that have been confirmed, but there are more that are being invited by the editors.
Indo-Caribbean women writers are virtually invisible in the literary landscape because of cultural and social inhibitions and literary chauvinism. Until recently, the richness and particularities of the experiences of these writers in the field of literature and literary studies were compromised by stereotypical representations of the Indo-Caribbean women that were narrated from a purely masculine or an Afrocentric point of view. This book fills an important gap in an important but underestimated emergent field. The book explores how cultural traditions and female modes of opposition to patriarchal control were transplanted from India and rearticulated in the Indo-Caribbean diaspora to deter...
This book explores the idea that art can enact small-scale resistances against the status quo in the social domain. These acts, which we call “little resistances,” determine the limited yet potentially powerful political impact of art. From different angles, seventeen authors consider the spaces where art events occur as “political spaces,” and explore how such spaces host events of disagreements in migratory culture. The newly coined word “migratory” refers to the sensate traces of the movements of migration that characterize contemporary culture. In other words, movement is not an exceptional occurrence in an otherwise stable world, but a normal, generalized process in a world that cannot be grasped in terms of any given notion of stability. Thus the book offers fresh reflections on art’s power to move people, in the double sense of that verb, and shows how it helps to illuminate migratory culture’s contributions to this process.
"The Muhammad Avatāra: Salvation History, Translation, and the Making of Bengali Islam reveals the powerful role of vernacular translation in the Islamization of Bengal.Its focus is on examines the magnificent seventeenth-century Nabīvaṃśa of SaiyadSultān, who lived in Arakanese-controlled Chittagong to affirm the power of vernacular translation in the Islamization of Bengal. Drawing upon the Arabo-Persian Tales of the Prophets genre, the Nabīvaṃśa ("The Lineage of the Prophet") retells the life of the Prophet Muhammad for the first time to Bengalis in their mother-tongue. Saiyad Sultān lived in Arakanese-controlled Chittagong,in a period when Gauṛiya Vaiṣṇava missionary act...
By 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.