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The New Me
'Terrific. So funny' Zadie Smith 'Monstrously depressing but so comic and well observed that I didn't really mind .... It is great' Dolly Alderton 'A dark comedy of female rage' Catherine Lacey 'Brilliant. For fans of Ottessa Moshfegh's My Year of Rest and Relaxation' Pandora Sykes 'Funny, shocking, clever, and hugely entertaining' Roddy Doyle 'A definitive work of milennial literature' Jia Tolentino 'The best thing I've read in years' Emma Jane Unsworth 'Vicious ... hilariously spot on' Guardian In a windowless office, a woman explains something from her real, nonwork life - about the frustration and indignity of returning her online shopping - to her colleagues. One wears a topknot. Anothe...
Jillian
From the author of the 'great' (Dolly Alderton), 'terrific' (Zadie Smith) The New Me, comes a subversive, hilarious portrait of two colleagues, each more like the other than they would care to admit. 'Wretchedly riveting' Jia Tolentino, New Yorker 'Butler is an essential contemporary voice' Literary Hub 'A master of writing about work and its discontents' The Millions Megan is only twenty-four but her life feels like a dead end. Working as a gastroenterologist's receptionist and resenting the success and happiness of her friends, the only thing that makes her feel better is obsessively critiquing the behaviour of her colleague, Jillian. A grotesquely optimistic thirty-five-year-old single mother, Jillian's chirpy positivity obscures her mounting struggles - until her downfall is precipitated by the purchase of a dog . . . 'Outrageous and amusing ... reads like rubbernecking or a junk-food binge, compelling a horrified fascination and bleak laughter' Kirkus 'The funniest book I've read in a long time, but also one of the most important ones' The Rumpus
We Eat Our Own
A “canny, funny, impressively detailed debut novel” (The New York Times) that blurs the lines between life and art with the story of a film director’s unthinkable experiment in the Amazon jungle. When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn’t hesitate: he flies to South America, no questions asked. He quickly realizes he’s made a mistake. He’s replacing another actor who quit after seeing the script—a script the director now claims doesn’t exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates...
Sleeveless
Essays and stories on fashion, art, and culture in the New York of the 2010s. We were supposed to meet Rose McGowan at Café d'Alsace after the party, but she cancelled at the last minute. I saw on Twitter that she had been hit with a drug possession charge, which she insisted was a scheme to keep her Weinstein dirt quiet. I hadn't even read her Weinstein story… I still wanted to know that the articles were being published, and in large quantities, but reading stories of abuse and humiliation was as stupefying as a hangover. I didn't feel empowered; I only felt more hopeless. I wanted to watch the patriarchy go up in flames, but I wasn't excited about what was being pitched to replace it. ...
Cool for America
A hilarious collection of overlapping stories that explores the dark zone between artistic ambition and its achievement by the author of Early Work. Bookended by the misadventures of Leslie, an aspiring writer who moves form New York to Missoula, Montana, hoping to shake off lingering depression, this story collection follows young people pushed hard against—and often crashing into—their limits as not only would-be Tolstoys but also functioning, feeling human beings. As Martin’s characters age out of punk shows and all-night benders and into book clubs and elaborate weddings, they find that neither family life nor community ties can quite shore up the dam against despair. Has redemptio...
Where Reasons End
'Profoundly moving. An astonishing book, a true work of art' Max Porter, author of Grief is the Thing with Feathers From the critically acclaimed author of The Vagrants, a devastating and utterly original novel on grief and motherhood 'Days: the easiest possession. The days he had refused would come, one at a time. They would wait, every daybreak, with their boundless patience and indifference, seeing if they could turn me into an ally or an enemy to myself.' A woman's teenage son takes his own life. It is incomprehensible. The woman is a writer, and so she attempts to comprehend her grief in the space she knows best: on the page, as an imagined conversation with the child she has lost. He is as sharp and funny and serious in death as he was in life itself, and he will speak back to her, unable to offer explanation or solace, but not yet, not quite, gone. Where Reasons End is an extraordinary portrait of parenthood, in all its painful contradictions of joy, humour and sorrow, and of what it is to lose a child.
Eileen
**NOW A MAJOR FILM** **SHORTLISTED FOR THE MAN BOOKER PRIZE** Trapped between caring for her alcoholic father and her job as a secretary at the boys' prison, Eileen Dunlop dreams of escaping to the big city. In the meantime, her nights and weekends are filled with shoplifting and cleaning up her increasingly deranged father's messes. When the beautiful, charismatic Rebecca Saint John arrives on the scene as the new counsellor at the prison, Eileen is enchanted, unable to resist what appears to be a miraculously budding friendship. But soon, Eileen's affection for Rebecca pulls her into a crime that far surpasses even her own wild imagination. **FROM THE AUTHOR OF TIKTOK SENSATION MY YEAR OF REST AND RELAXATION** 'Fully lives up to the hype. A taut psychological thriller, rippled with comedy as black as a raven's wing, Eileen is effortlessly stylish and compelling' The Times *SHORTLISTED FOR THE CWA NEW BLOOD DAGGER AWARD*
Pizza Girl
Perfect for fans of Coco Mellors, R. F. Kuang and Yomi Adegoke, this electrifying debut charts the unlikely relationship between a pregnant teenage pizza delivery driver and a stressed-out, middle-aged mum.
Burnt Sugar
SHORTLISTED FOR THE BOOKER PRIZE 2020 LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021 WINNER OF THE SUSHILA DEVI AWARD 2021 NEW YORK TIMES 100 NOTABLE BOOKS OF 2021 A searing debut novel about mothers and daughters, obsession and betrayal - for fans of Jenny Offill, Deborah Levy, Rachel Cusk and Diana Evans 'Beautifully written, emotionally wrenching and poignant in equal measure' The Booker Prize Judges 2020 'An unsettling, sinewy debut, startling in its venom and disarming in its humour from the very first sentence' Guardian 'I would be lying if I said my mother's misery has never given me pleasure.' This is a tale of obsession and betrayal. This is a poisoned love story. But not between...
Dalvi
An ancestry test suggesting she shared some DNA with the Sámi people, the indigenous inhabitants of the Arctic tundra, tapped into Laura Galloway's wanderlust; an affair with a Sámi reindeer herder ultimately led her to leave New York for the tiny town of Kautokeino, Norway. When her new boyfriend left her unexpectedly after six months, it would have been easy, and perhaps prudent, to return home. But she stayed for six years. Dálvi is the story of Laura's time in a reindeer-herding village in the Arctic, forging a solitary existence as she struggled to learn the language and make her way in a remote community for which there were no guidebooks or manuals for how to fit in. Her time in the North opened her to a new world. And it brought something else as well: reconciliation and peace with the traumatic events that had previously defined her - the sudden death of her mother when she was three, a difficult childhood and her lifelong search for connection and a sense of home. Both a heart-rending memoir and a love letter to the singular landscape of the region, Dálvi explores with great warmth and humility what it means to truly belong.
