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Giving Voices features four of Erkan Özgen's video works dealing with war, violence, and trauma--beyond the boundaries of the political, within the dimension of the private and the human. By deciding not to show images of violence and war, Özgen gives a voice to individuals and objects. Witnessing becomes a way of understanding and also resetting memory. How can we feel the realities of war, conflict, and violence? What are the cultural and social implications of war and violence, and how does society respond to war? These are some of the questions raised by Özgen's work and addressed here by social anthropologist Rik Adriaans, psychologist Jan Ilhan Kizilhan, curator Özge Ersoy, as well as writer Han Nefkens, and in conversations between the artist and Hans Ulrich Obrist, artistic director of the Serpentine galleries, and curator Hilde Teerlinck. Published with support from the Han Nefkens Foundation, Barcelona Contributors Rik Adriaans, Özge Ersoy, Jan Kizilhan, Han Nefkens, Hans Ulrich Obrist, Erkan Özgen, Hilde Teerlinck
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"This comprehensive monograph, Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian, details the three [Iranian] artists' collaborative activities since 2009, from the chaotic creative centrifuge of the house they share in Dubai to their exhibitions that blur their individual practices and expand their sphere to incorporate friends, works by other artists and spontaneous interventions."--Publisher's website.
A garment that responds to emotions, lace patterns that grow from a plant, textile that decomposes itself and fashion that literally zips people together ... With a critical look at today's fashion industry, more than fifty young designers and a number of illustrious innovators such as Viktor & Rolf and Comme des Garçons give us their vision of the fashion of tomorrow. The development of new technologies and a grasp of the importance of sustainability are what is driving young designers worldwide and causing them to expand the borders of the traditional fashion system. With their innovative solutions and fresh designs, this latest generation of fashion designers has arrived at the interface...
The words on the cover of Aslan Gaisumov's first monograph are names of places no longer inhabited. The tens of thousands of people who used to live in the mountainous Galain-Chaz district of southern Chechnya were deported by the Soviet authorities in the winter of 1944, wrongly accused of having collaborated with Nazi Germany. One of these words, Kayçu-Yuxe or Keicheyuhea, names the birthplace of Zayanu Khasueva, the artist's maternal grandmother. It is also the title of his film from 2017, in which Khasueva returns to the site of her ancestral village for the first time in seventy-three years. The monograph features Gaisumov's recent work (including photographs of the previous settlements of the Galain-Chaz district that have not been shown elsewhere) and contains new essays by the researchers Aleida Assmann, Georgi Derluguian and Madina Tlostanova and the curator Anders Kreuger. Contributors Aleida Assmann, Georgi Derluguian, Anders Kreuger, Madina Tlostanova Published with support from the Han Nefkens Foundation, Barcelona; Kohta, Helsinki; Galerie Zink, Waldkirchen; and Emalin, London
Contemporary fashion designers increasingly work in the field of the visual arts and so influence the art world. the exhibition "The art of fashion": Installing Allusions" focuses on the dynamic boundary between fashion and art. At th heart of the exhibition are exclusive new works by five of the world’s leading fashion designers. Specially for the exhibition The H+F Fashion on the Edge Foundations has invited Viktor & Rolf, Naomi Filmer, Hussein Chalayan, anna-Nicole Ziesche and Walter van Beirendonck to create new works that abandon the principle of wearable clothing. the themes suggested by these commissioned works are explored in more than fifty objects by an international group of artists and designers who work in a similar manner. Exhibiton; Museum Boijmans van Beuninging, Rotterdam; Sept. 19th 2009 - Jan. 10th, 2010.
The Age of Collage Vol. 2 documents current developments in the world of collage and reveals why this technique is as fresh as ever.
Almost two centuries ago proteins were recognized as the primary materials (proteios = primary) oflife, but the significance and wide role of peptides (from pepsis = digestion) in practically all life pro cesses has only become apparent in the last few decades. Biologi cally active peptides are now being discovered at rapid intervals in the brain and in other organs including the heart, in the skin of amphibians and many other tissues. Peptides and peptide-like compounds are found among toxins and antibiotics. It is unlikely that this process, an almost explosive broadening of the field, will come to a sudden halt. By now it is obvious that Nature has used the combination of a small to moder...
"Taking its name from a line in the Wallace Stevens' poem "The Gray Room," Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular place or population. By a process of intimate and often extended engagement, Soth's portraits and images of his subject's surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer"--The publisher.
A Book of Signatures contains the signatures of 250 individuals named Mohammed who lived in Palestine. Combining a handmade book, bound in leather, embossed in English and Arabic, and a digital projection of the collected signatures, it incorporates both traditional and modern ways of archiving information.