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This multidisciplinary collection addresses Chopin's life and oeuvre in various cultural contexts of his era. Fourteen original essays by internationally-known scholars suggest new connections between his compositions and the intellectual, literary, artistic, and musical environs of Warsaw and Paris. Individual essays consider representations of Chopin in the visual arts; reception in the United States and in Poland; analytical aspects of the mazurkas and waltzes; and political, literary, and gender aspects of Chopin's music and legacy. Several senior scholars represent the fields of American, Western European, and Polish history; Slavic literature; musicology; music theory; and art history.
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"This book represents the most sophisticated historiographical approach to understanding nation-building. Patrice Dabrowski demonstrates tremendous erudition... making brilliant use of contemporary newspapers and journals, as well as archival material." -- Larry Wolff, Boston College, author of Inventing Eastern Europe Patrice M. Dabrowski investigates the nation-building activities of Poles during the decades preceding World War I, when the stateless Poles were minorities within the empires of Russia, Germany, and Austria-Hungary. Could Poles maintain a sense of national identity, or would they become Germans, Austrians, or Russians? Dabrowski demonstrates that Poles availed themselves of the ability to celebrate anniversaries of past deeds and personages to strengthen their nation from within, providing a ground for a national discourse capable of unifying Poles across political boundaries and social and cultural differences. Public commemorations such as the jubilee of the writer Jozef Kraszewski, the bicentennial of the Relief of Vienna, and the return to Poland of the remains of the poet Adam Mickiewicz are reconstructed here in vivid detail.
"Cavanaugh's scholarship is distinguished by several qualities: detailed knowledge, a rare comparative awareness of adjacent disciplines, and of course, a substantial, synthetic knowledge of modern artistic developments in Western Europe and the U.S. Out Looking In will be relevant to a large and varied public."--John E. Bowlt, author of Forbidden Art: Soviet Nonconformist Art, 1956-1988 "This is an essential book for scholars of modernism who are eager, in the wake of post-structuralist and post-modernist reevaluations of the construction of modernism's history, to broaden discussions beyond a narrow French orientation. It will serve as an important stimulus for rethinking European art in g...