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As well as being Germany's most important poet, Hans Magnus Enzensberger is a provocative cultural essayist and one of Europe's leading political thinkers. No British poet can match him in his range of interests and his moral passion. Born in 1929 in Bavaria, he grew up in Nazi Nuremberg. His poetry's social and moral criticism of the post-war world owes much to Marxism, yet insists on the freedoms which often denied by Communist governments: like Orwell he maintains that satire and criticism should not be party-political. In 1994 he published his Selected Poems with Bloodaxe and his essays on new world disorder, Civil War, with Granta. In Kiosk, his subsequent collection, he draws on his wi...
There's something strange about Robert's eyes: they seem to remember everything whilst watching a film form 1950s Russia Robert finds himself mysteriously transported to Russia. Gazing at picture then sends him to 1940s Australia. Robert's journey takes him further back in time but can he ever return to now?
In this highly acclaimed and entertaining book, already "among the touchstones of the new travel writing" (Newsweek), one of West Germany's leading authors takes us on an insider's tour of Europe in the recent past. Focusing on Italy, Poland, Hungary, Sweden, Spain, and Portugal, he describes how Europe has been moving toward a new identity. Enzensberger makes a witty and knowledgeable traveling companion, delving into surprising corners and byways—from the back alleys of Budapest to the halls of the Italian mint—and striking up conversations with everyone from bankers to revolutionaries, astrologers to apparatchiks. In the process, he suggests that Europe's strength lies increasingly in embracing diversity and improvisation, not bigness and regimentation. He enables us to see with fresh eyes one of the most exciting parts of the world today.
In "Civil Wars," Hans Magnus Enzensberger, Germany's most astute literary and political critic, chronicles the global changes taking place as the result of evolving notions of nationalism, loyalty, and community. Enzensberger sees similar forces at work around the world, from America's racial uprisings in Los Angeles to the outright carnage in the former Yugoslavia. He argues that previous approaches to class or generational conflict have failed us, and that we are now confronted with an "autism of violence" a tendency toward self-destruction and collective madness.
Hans Magnus Enzensberger, widely regarded as Germany's greatest living poet, was already well known in the 1960s, the tempestuous decade of which Tumult is an autobiographical record. Derived from old papers, notes, jottings, photos, and letters that the poet stumbled upon years later in his attic, the volume is not so much about the man, but rather the many places he visited and people whom he met on his travels through the Soviet Union and Cuba during the 1960s. The book is made up of four longform pieces written from 1963 to 1970, each episode concluding with a poem and postscript written in 2014. Tumult is based on Enzensberger's personal experience as a left-wing sympathizer during that tumultuous decade and focuses on political events and their participants. Translated by Mike Mitchell, the book is a lively and deftly written travelogue offering a glimpse into the history of leftist thought. Dedicated to "those who disappeared," Tumult is a document of that which remains one of humanity's headiest times. "Enzensberger is the most important postwar writer you have never read."--London Review of Books
Chronicles the adventures of Prince Esterhazy, a rabbit who goes to Berlin to find a bride and witnesses the destruction of the Berlin Wall.
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