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'[The text] significantly expands upon the [existing] body of scholarship to argue persuasively that Crabb Robinson was the most important pioneering comparatist during the Romantic period. [...] Hunnekuhl‟s tightly-woven monograph opens the door for further inquiry into other areas of Robinson‟s early reading, writing and social interactions. [...] Future scholarship in these and other areas in the early life of one of the most important diarists and commentators on British life and thought in the nineteenth century will now be able to build upon the solid foundation laid by Philipp Hunnekuhl.' Timothy Whelan, The Coleridge Bulletin
This book contributes to the current revision of Matthias Claudius's image by, illuminating the complex of ideas that lies at the core of his thought and relating them to his art and the broader concerns that were most important to him. Claudius has long had a firm place in the canon of German literature as a naive and soulful poet of folklife, nature, and religious faith. Over the past two decades, however, a growing body of scholarship has uncovered aspects of his life and work that demand reconsideration of his traditional image. This volume represents an attempt to contribute to the revision. This volume elucidates the ideas central to Claudius's thought and views them in connection with both his work and important issues of the time. Over and against the traditional image of Claudius the study projects a more accurate and balanced, indeed, a substantially new vision of the poet and man.
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Wieland's translations of Horace's Epistles, neglected until recently, demonstrate his skill in overcoming the bipolar relationship implied in the very idea of translation. Thanks to a strong, cosmopolitan fellow-feeling with the ancient poet, Wieland made judicious editorial choices in the areas of diction, prosody, layout, typography and scholarly apparatus. This most flexible of translators avoided collapsing the distinctions between his own world and Horace's, and achieved true communication with Horace, while simultaneously drawing the contemporary German reader into the dialogue. Translation techniques employed by Wieland's contemporaries are also discussed here, as well as Horace's reception during the period, and the tensions between originality and imitation, and between ancient hexameter and modern metres.
For most of his life, Ernst Jünger, one of Europe's leading twentieth-century writers, has been controversial. Renowned as a soldier who wrote of his experience in the First World War, he has maintained a remarkable writing career that has spanned five periods of modern German history. In this first comprehensive study of Jünger in English, Thomas R. Nevin focuses on the writer's first fifty years, from the late Wilhelmine era of the Kaiser to the end of Hitler's Third Reich. By addressing the controversies and contradictions of Jünger, a man who has been extolled, despised, denounced, and admired throughout his lifetime, Ernst Jünger and Germany also opens an uncommon view on the nation...
After the end of Nazi era, many German writers claimed to have retreated into "Inner Emigration". This book presents the complexity of Inner Emigration through the analysis of individual cases of writers who, under constant pressure from a watchful dictatorship to conform and to collaborate, were caught between conscience and compromise.
Starting from the little reliable information available, Riccarda Suitner conducts an exciting investigation of the authors, production, illustrations, circulation and plagiarism of a series of anonymous "dialogues of the dead" in the intellectual world of the early eighteenth century, proposing a new image of the German Enlightenment.