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A biography of one of the most remarkable women of the Tudor era - next to Queen Elizabeth the most powerful woman in England Bess of Hardwick, born into the most brutal and turbulent period of England's history, did not have an auspicious start in life. Widowed for the first time at sixteen, she nonetheless outlived four monarchs, married three more times, and died one of the wealthiest and most powerful women the country has ever seen. The Tudor age was a hazardous time for an ambitious woman: by the time Frances, Bess's first child, was six, three of her illustrious godparents had been beheaded. Plague regularly wiped out entire families, conspiracies and feuds were rife. But through all this Bess Hardwick bore eight children and built an empire of her own: the great houses of Chatsworth and Hardwick. 'The best account yet of this shrewd, enigmatic and remarkable woman' Sunday Times 'Lovell has excelled at bringing the Tudor age to exuberant life. A phenomenal story' Mail on Sunday 'Utterly absorbing... one of those biographies in which the reader really doesn't want the subject to die' Independent on Sunday
Born the daughter of a country squire, Bess of Hardwick made four marriages which brought her wealth and status. She built and furnished houses and founded a dynasty which included a granddaughter, Arbella Stuart, who had a claim to the thrones of both England and Scotland.
'Hardwick's sentences are burned in my brain.' - Susan Sontag Sidelined. Betrayed. Killed off. Elizabeth Hardwick considers the history of women and literature. She imagines the lives of the Brontes, Woolf, Eliot and Plath; the fate of literary wives such as Zelda Fitzgerald and Jane Carlyle; and the stories of fictional heroines from Richardson's Clarissa to Ibsen's Nora. With her radiant sympathy and wisdom, Hardwick mines their childhoods, marriages, and personalities to probe the costs of sex, love, and marriage. She asks who is the seducer and who the seduced; who the victim and who the victor. Both timely and timeless, these devastatingly stylish essays are nothing less than a reckoning, dissecting relations between the sexes, women and writing, work and life.
This book looks at how that oft-maligned institution, the Anglican Church, coped with mass migration from Britain in the first half of the nineteenth century. The book details the great array of institutions, voluntary societies and inter-colonial networks that furnished the Church with the men and money that enabled it to sustain a common institutional structure and a common set of beliefs across a rapidly-expanding ‘British world’. It also sheds light on how this institutional context contributed to the formation of colonial Churches with distinctive features and identities. One of the book’s key aims is to show how the colonial Church should be of interest to more than just scholars and students of religious and Church history. The colonial Church was an institution that played a vital role in the formation of political publics and ethnic communities in a settler empire that was being remoulded by the advent of mass migration, democracy and the separation of Church and State.
The first-ever collection of 50+ writings from the 20th-century critic who “redefined the possibilities of the literary essay”—including works not seen in print for decades (The New Yorker) Elizabeth Hardwick wrote during the golden age of the American literary essay. For Hardwick, the essay was an imaginative endeavor, a serious form, criticism worthy of the literature in question. In the essays collected here, she covers civil rights demonstrations in the 1960s, describes places where she lived and locations she visited, and writes about the foundations of American literature—Melville, James, Wharton—and the changes in American fiction. She contemplates writers’ lives—women w...
Elizabeth Hardwick was one of America’s great postwar women of letters, celebrated as a novelist and as an essayist. Until now, however, her slim but remarkable achievement as a writer of short stories has remained largely hidden, with her work tucked away in the pages of the periodicals—such asPartisan Review, The New Yorker, and The New York Review of Books—in which it originally appeared. This first collection of Hardwick’s short fiction reveals her brilliance as a stylist and as an observer of contemporary life. A young woman returns from New York to her childhood Kentucky home and discovers the world of difference within her. A girl’s boyfriend is not quite good enough, his “silvery eyes, light and cool, revealing nothing except pure possibility, like a coin in hand.” A magazine editor’s life falls strangely to pieces after she loses both her husband and her job. Individual lives and the life of New York, the setting or backdrop for most of these stories, are strikingly and memorably depicted in Hardwick’s beautiful and razor-sharp prose.
Elizabeth, Countess of Shrewsbury, more famously known as Bess of Hardwick, became one of the most influential women of the Elizabethan age. This book presents a record of the contents of the three houses she lived in.
The first biography of the extraordinary essayist, critic, and short story writer Elizabeth Hardwick, author of the semiautobiographical novel Sleepless Nights. Born in Kentucky, Elizabeth Hardwick left for New York City on a Greyhound bus in 1939 and quickly made a name for herself as a formidable member of the intellectual elite. Her eventful life included stretches of dire poverty, romantic escapades, and dustups with authors she eviscerated in The New York Review of Books, of which she was a cofounder. She formed lasting friendships with literary notables—including Mary McCarthy, Adrienne Rich, and Susan Sontag—who appreciated her sharp wit and relish for gossip, progressive politics...
Bess of Hardwick is a biography about a notable figure in Elizabethan English society. Bess is well-known for her building projects, the most famous of which are Chatsworth, now the seat of the Dukes of Devonshire, and Hardwick Hall. Contents: The Red-Haired Girl, The Mistress Builder, "A Great Gentleman," Hubbub, cont.
Sally Rooney: 'A series of fleeting images and memories ... united by the high intelligence and beauty of Hardwick's prose.'Rediscover a lost American classic: Sleepless Nights, a kaleidoscopic scrapbook of one woman's memories, here reissued with a new introduction by Eimear McBride.I am alone here in New York, no longer a we ...First published in 1979, Sleepless Nights is a unique collage of fiction and memoir, letters and essays, portraits and dreams. It is more than the story of a life: it is Elizabeth Hardwick's experience of womanhood in the twentieth century. Escaping her childhood home of Kentucky, the narrator arrives at a bohemian hotel in Manhattan filled with 'drunks, actors, gamblers ... love and alcohol and clothes on the floor.' Here begin the erotic affairs and dinner parties, the abortions and heartbreaks, the friendships and 'people I have buried'. Here are luminous sketches of characters she has met that illuminate the era's racism, sexism, and poverty. Above all, here is prose blurring into poetry, language to lose - and perhaps to find - yourself in. Society tries to write these lives before they are lived. It does not always succeed.