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Coding, Shaping, Making
Coding, Shaping, Making combines inspiration from architecture, mathematics, biology, chemistry, physics and computation to look towards the future of architecture, design and art. It presents ongoing experiments in the search for fundamental principles of form and form-making in nature so that we can better inform our own built environment. In the coming decades, matter will become encoded with shape information so that it shapes itself, as happens in biology. Physical objects, shaped by forces as well, will begin to design themselves based on information encoded in matter they are made of. This knowledge will be scaled and trickled up to architecture. Consequently, architecture will begin ...
Fivefold Symmetry
Fivefold symmetry is common in flowers, fruits, molecules, logos, and buildings, but it is a forbidden symmetry in the world of crystals. A few years ago, the so-called quasicrystals were discovered displaying fivefold symmetry, and it caused a minirevolution in crystallography. There has been increased awareness of fivefold symmetry in all domains of human interest ever since. The present book brings together authors and ideas on a common theme from mathematics, the sciences, design, and anthropology to history, literature, and the arts. Its 29 chapters are an offering by scientists and humanists from 13 countries to a broad readership of professionals and laypersons about fivefold symmetry and the areas that are being bridged by this unique concept.
Transmaterial
New materials are reshaping the world and this reference manual has details on the most interesting and useful new materials now available. Featuring more than 200 materials, this is an essential tool for keeping up with rapid developments in the field or as a source of inspiration for designs.
DIgital Fabrications
Digital Fabrications, the second volume in our new Architecture Briefs series, celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their finished forms and in working drawings, templates, and prototypes, allowing the reader to watch the process of each fantastic construction unfold. Digital Fabrications presents projects designed and built by emerging practices that pioneer techniques and experiment with fabrication processes on a small scale with a do-it-yourself attitude. Featured architects include AEDS/Ammar Eloueini, Atelier Manferdini, Brennan Buck, MOS, Office dA, Florencia Pita/MOD, Mafoomby, URBAN A+O, SYSTEMarchitects, Andrew Kudless/Matsys, IwamotoScott, Atelier Hitoshi Abe, Chris Bosse, Tom Wiscombe/EMERGENT, Thom Faulders Architecture, Jeremy Ficca, SPAN, GNUFORM, Heather Roberge, PATTERNS, Ruy Klein, and servo.
An Anthology of Structural Morphology
The structural morphology working group of the International Association for Shell and Spatial Structures, founded in 1991, has helped to launch several international seminars, newsletters and specific sessions of international conferences devoted to structural morphology. This book contains papers that have been selected either for their fundamental contribution to structural morphology or for their actual pertinence in the field. Polyhedral geometry, double-curved surfaces, biological structures, foldable systems, form-finding techniques, and free form design are some of the topics included in the contents of this book. The work presented in this book is the result of more than 15 years of...
The Pattern Book
Although the patterns are computer-generated, the book is informal and emphasis is on the fun that the true pattern lover finds in doing rather than in reading about the doing.
Cyberspace
The term cyberspace was first penned in 1984 by William Gibson in his science fiction novel, Neuromancer . However, the architectural possibilities of this area of design were being investigated well before the term was popularised, and with good reason:
Contagious Architecture
A proposal that algorithms are not simply instructions to be performed but thinking entities that construct digital spatio-temporalities. In Contagious Architecture, Luciana Parisi offers a philosophical inquiry into the status of the algorithm in architectural and interaction design. Her thesis is that algorithmic computation is not simply an abstract mathematical tool but constitutes a mode of thought in its own right, in that its operation extends into forms of abstraction that lie beyond direct human cognition and control. These include modes of infinity, contingency, and indeterminacy, as well as incomputable quantities underlying the iterative process of algorithmic processing. The mai...
The Fourth Dimension and Non-Euclidean Geometry in Modern Art, revised edition
The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, rangi...
Handbook Of Mathematical Science Communication
Mathematical science communication, as well as the field of science communication in general, has gained momentum over the last few decades. Mathematical science communication aims to inform the public about contemporary research, enhance factual and methodological knowledge, and foster a greater interest and support for the science of mathematics. This enables the public to apply it to their practical life, and to decision-making on a greater scale. These objectives are met in the various formats and media through which mathematical science communication is brought to the public.The first 13 chapters of the book consist of best-practice examples from the areas of informal math education, museums and exhibitions, and the arts. The final 5 chapters discuss the structural aspects of mathematical science communication and contribute to the basis for its theoretical framework.
