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Crime Fiction in the Caribbean
Crime Fiction in the Caribbean: Reframing Crime and Justice is the first academic book to focus on crime fiction by anglophone Caribbean writers. It explores how contemporary writers experiment with the crime genre in order to convey, contextualize, and comment on crime and justice in Caribbean countries. Lucy Evans reads crime fiction as a versatile mode of writing that can be politically engaged, and that-in a Caribbean context-can expose power structures embedded in the region's multi-layered history of colonial conquest, genocide of Indigenous populations, plantation agriculture, transatlantic slavery, and indentured labour. This book covers fiction set in Trinidad and Tobago, Jamaica, G...
They Came in Ships
From 1838 until 1917, Indians arrived to work as indentured labourers in Guyana. The majority never returned to India and today over 50% of the Guyanese population is of Indian origin. This anthology of prose and poetry shows how the Indians changed the character of Guyana and the Caribbean and how, over 150 years of settlement, Indians became Indo-Guyanese. Ranging from the earliest attempts at cultural self-definition in the 19th century (and early narrative images of the Indian presence in non-Indian writing), to the creative writing of the 1990s, this anthology provides a fascinating insight into the transformation of an ancient culture in the New World. Extracts from novels, short stories, essays and poems explore the experience of plantation life, of relationships with other ethnic groups, issues of gender within Indo-Guyanese culture and the adjustments in cultural practices which separation from India and involvement with the new environment required. Brief introductory essays by Jeremy Poynting set historical contexts, and there is an invaluable bibliography of Indo-Guyanese writing. This is the only anthology of its kind.
VIRIAH
Slavery was abolished in the British empire in 1835. The demand for sugar was exploding with people consuming increasing amounts of sugar in chooclates, tea and sweets. To fuel the growing first-world sugar industry of the late 1800s, 1.3 million Indians were shipped to labor on sugarcane plantations in Mauritius, South Africa, Caribbean, Fiji and Reunion. The indenture system was not too different from slavery. Coolies labored from dawn to dusk, day after day, year after year in inhuman working and living conditions. This book is about the search for my great grandfather and the story of Indian Indenture.
The Routledge Reader in Caribbean Literature
An outstanding compilation of over seventy primary and secondary texts of writing from the Caribbean. The editors demonstrate that these singular voices have emerged out of a wealth of literary tradition and not a cultural void.
Jahaji
Jahaji (the term meaning ship traveler) brings together a representative selection of Indo-Caribbean fiction from three generations of writers. Together, the sixteen writers included here give us an imaginative depiction of the experiences of their people across a span of fifty years--the hopes, aspirations and frustrations of life in colonial Trinidad and Guyana, the post-independence tribulations of third-world citizens, and the quest for meaning and identity in the second migration to Canada, the United States, and Britain.
The West Indian Novel and Its Background
An account of the emergence of the West Indian novel in English, this work provides valuable insights into the social, cultural and political background, offering concise and focused accounts of the growth of education, the development of literacy, and the formation of West Indian Creole languages.
A Book of South & North American Writers
A Book of South & North American Writers,A-Z By CountryPublished on June 10, 2014 in USA
A Silent Life
"As a child growing up in a Guyanese country town, Aleyah Hassan dreams of dancing barefoot across the blank canvas of the sky, making her mark to save it from emptiness. But darker visions begin when she realizes that some mystery surrounds her beloved grandmother who, except for praying incessantly, spends her days in silence. When Aleyah finally prises a version of the secret from her mother, she learns that her grandmother once had a great deal to say, that Nani had been, as a younger woman, inspired by the call of revolutionary politics. Then, before Aleyah's dreaming eyes, the tragedy of Nani and Aleyah's late grandfather, Papa Nazeer, plays itself out to its horrifying conclusion. As Aleyah grows up academically gifted and with the desire to change the world, her family is both proud and concerned, particularly by her and Nani's mutual attraction. And when later, after winning a scholarship to England, Aleyah marries a charming fellow Guyanese, Nani is struck with terror that family history will repeat itself."--BOOK JACKET.
Mythologies of Migration, Vocabularies of Indenture
Pirbhai uses the critical paradigm of 'indenture history' to examine the local literary and cultural histories that have influenced and shaped the development of novel-length fiction by writers of the South Asian diaspora in national contexts as diverse as Mauritius, South Africa, Guyana, and Fiji.
Cosmic Dance
Cosmic Dance won the 1994 Guyana Prize for Literature. Dr. Vayu Sampat is brought two stories: of the rape of a young girl by a powerful state official, and of a seemingly altruistic gift of blood. The first is an all too common event, the second all too rare in a society where the strong feed off the weak, and everything has its price. What challenges him is that both stories cross the lines of race in a society divided between Indians and Africans. Involvement in these events, against his will, is the catalyst which forces Vayu from a path of comfortable routine into the chaos of uncontrollable circumstance in which all his assumptions are challenged. When the cataclysm comes, Vayu barely ...
