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Harold Lloyd, born in 1893, became one of the greatest comic actors in America. This is a compendium of all things Lloyd, with entries on noteworthy persons, recurring themes, crucial elements of Lloyd's life (birth, education, marriage, family, hobbies, death, etc.), his prime co-stars and co-workers, the films that made him a legend (201 of them), and numerous other topics covering every facet of the man and the actor, all fully cross-referenced and accompanied by a vast collection of images and advertisements. An Appendix A lists the Lloyd shorts in the order produced, with the Production Code assigned by the Rolin Film Company officials. Appendix B is a proper filmography, listing each Lloyd film from 1913 to 1966 in chronological order.
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"Now, the extraordinary story of this comic master is brought to life in Harold Lloyd: Master Comedian, a unique illustrated survey of Lloyd's life and career, recalled by his granddaughter Suzanne Lloyd, who was raised by him, and film historian Jeffrey Vance."--BOOK JACKET.
Biografie van de Amerikaanse filmkomiek (1893-1971).
Chronicles the life and career of Harold Lloyd, with annotated entries for all of his performances.
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The focus of this book is on three of Harold Lloyd's features, Grandma's Boy (1922), Safety Last (1923), and The Freshman (1925), and it presents a thorough investigation of the structure, characters, and comic techniques employed in these films.
Immensely popular and prolific, Harold Lloyd sold more movie tickets during the Golden Age of Comedy than any other comedian. From Coney Island to Catalina Island, and from Brooklyn to Beverly Hills, Lloyd’s movies captured visions of silent-era America unequaled on the silver screen. A stunning work of cinematic archeology, Silent Visions describes the historical settings found in such Lloyd classics as Safety Last!, Girl Shy, and Speedy, and matches them with archival photographs, vintage maps, and scores of then-and-now comparison photographs, illuminating both Lloyd’s comedic genius, and the burgeoning Los Angeles and Manhattan landscapes preserved in the background of his films. The book represents John Bengtson’s completion of his trilogy of works focusing on the three great geniuses of silent film comedy (Keaton, Chaplin, and Lloyd) in what Oscar-winning historian Kevin Brownlow calls “a new art form.”
While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing...
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