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A Companion to Wagner's Parsifal
New essays demonstrating and exploring the abiding fascination of Wagner's controversial work.
Wagner and Suicide
Composer Richard Wagner (1813-1883) likely suffered from a manic-depressive disorder but in his time very little was known about mental illness, and suicide was not a topic for general discussion. Wagner was often plagued by extreme mood swings; he used his operas, especially the librettos, to express himself and his personal difficulties. This investigation of the suicidal themes in Wagner's life and operas--Die Fliegender Hollander, Tannhauser, Lohengrin, Tristan und Isolde, Die Meistersinger, the Ring cycle, and Parsifal--shows how manic-depressive illness, particularly the depressive part of it, affected Wagner's life and art. It also analyzes the influence of Giambattista Vico's theories of cycles (and how these theories appeared in Wagner's work), suicide as a theatrical and operatic phenomenon, and the way in which the theme of suicide has appeared in other works of the literary and performing arts.
A Kingdom Not of This World
This book challenges prevalent understandings of elite artistic culture in fin-de-siècle Vienna by examining creative manifestations of utopian imaginings that ran counter and parallel to the cultural pessimism widely diagnosed in that society. It argues that the music and writings of Richard Wagner played a key role in inspiring such imagining, which either embraced and extended Wagner's own visions or countered them with visions that were wholly new.
Richard Wagner
This is a new biography of the German composer Richard Wagner, 200 years after his birth, re-examining his life in light of new documents and new sensibilities. Since World War II Wagner has often been wrongly associated with Adolf Hitler because Hitler liked Wagner's music and used it in Nazi propaganda. But Wagner died in 1883--fifty years before Hitler's regime. It is time to have a fresh look at Wagner's life without the Nazi associations. His life was a series of abandonments and traumas for the self-destructive but creative genius, as he tried to survive as a freelance composer in the hostile environments of 19th century Germany.
The Uncontrollability of the World
The driving cultural force of that form of life we call ‘modern’ is the desire to make the world controllable. Yet it is only in encountering the uncontrollable that we really experience the world – only then do we feel touched, moved and alive. A world that is fully known, in which everything has been planned and mastered, would be a dead world. Our lives are played out on the border between what we can control and that which lies outside our control. But because we late-modern human beings seek to make the world controllable, we tend to encounter the world as a series of objects that we have to conquer, master or exploit. And precisely because of this, ‘life,’ the experience of f...
The ACT Approach
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
A Short History of Opera
"The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Love, Death, and Revolution in Central Europe
The philosopher of religion and critic of idealism, Ludwig Feuerbach had a far-reaching impact on German radicalism around the time of the Revolution of 1848. This intellectual history explores how Feuerbach s critique of religion served as a rallying point for radicals, and how they paradoxically sought to create a new, post-religious form of religiosity as part of the revolutionary aim. At issue for the Feuerbachian radicals was the emergence of a humanity emancipated from the constraints of mere institutions, able to express itself freely and harmoniously. Caldwell also touches on Moses Hess, Louise Dittmar, and Richard Wagner in his discussion of the time. Thisbook reconstructs the nature of Feuerbach s radicalism and shows how it influenced early works of socialism, feminism, and musical modernism.
New Perspectives on Old Testament Prophecy and History
In New Perspectives on Old Testament Prophecy and History, colleagues, students, and friends of Hans M. Barstad offer essays in honour of his esteemed career in biblical studies. Contributions on prophecy include: the debate on prophets as historical figures, the biblical books of Isaiah, Ezekiel, Hosea, Amos, and Micah, and issues of methodology and interpretation. Essays devoted to history address various historiographic issues as well as specific historical topics such as the monarchy in ancient Israel, the relationship of Judah to Edom, and the ritual of reading the law. In ways that reflect Hans Barstad’s innovative insights and methodological critiques, this collection of essays probes beyond the oft-trodden paths of biblical studies and challenges the status quo within the field.
Richard Wagner
Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.
