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CINTA BERSEGI
Doni berniat balas dendam terhadap Jarot, lelaki kaya yang telah merebut kekasihnya untuk dijadikan istri kedua. Dia berpura-pura melamar kerja menjadi sopir di keluarga Jarot. Gayung bersambut. Emma, istri sah Jarot terbuai ketampanan Doni, begitu pula kedua anak gadisnya. Akankah niat balas dendam Doni terlaksana? Bagaimana cara Doni untuk memuluskan usahanya?
Ethnic Music on Records
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
MANAJEMEN SUMBERDAYA MANUSIA: Teori dan Kasus
Buku MSDM (Manajemen Sumber Daya Manusia) ini merupakan kajian akademik yang berbasis konsep Fungsi Sumber Daya Manusia dan merupakan materi inti Mahasiswa pada mata kuliah MSDM, dan buku ini secara spesifik juga menyajikan tentang teori dan kasus serta permasalahan yang coba diangkat dari masalah riil pada perusahaan. Buku ini juga menjelaskan bagaimana mahasiswa perlu melakukan analisis kasus-kasus di perusahaan dan melakukan tahapan mencari solusi serta pemecahan masalah based on human resource theory. Dengan demikian mahasiswa akan bisa memahami kasus personalia yang terjadi di perusahaan, dan mencari solusi pemecahannya. Pada edisi ini ditampilkan juga kasus sederhana dengan menggunakan...
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An Introduction to Post-Colonial Theatre
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.
Humor in the Caribbean Literary Canon
Humor in the Caribbean Literary Canon intimately examines Caribbean writers who engage canonical Western texts and forms, while using humor to challenge Western representations of people of African descent.
Transcultural Anglophone Studies
Transcultural Anglophone Studies (TAS) engages with the cultural production of speakers of World English in any part of the former British Empire, and the migrational diasporas resulting thereof. Anglophone texts - in print or other media - have had a tremendous impact despite their relatively `belated' entry to the cultural field. Since TAS forms a vast, heteronomous research area, this Introduction is a first guide for students and researchers. In providing analytical tools for engaging with these exceptional texts, it situates them in the larger context of globalization and neocolonialism.
The Caribbean Postcolonial
Drawing on the long and varied history of discourses of cultural hybridity across the caribbean, this book explores the rich and fraught cultural crossings that are often theorized homogeneously in postcolonial studies as 'hybridity'. What is the relationship of cultural hybridity to social equality? Why have some forms of hybridity been enshrined in the caribbean imagination and others disavowed? What is the appeal of cultural hybridity to nationalist and post-nationalist projects alike? What can we learn from the hybridization of Afro-caribbean and Indo-caribbean cultures set in motion by slavery and indentureship? In answering these questions, this book intervenes in several important debates in postcolonial studies about cultural resistance and popular agency, feminism and cultural nationalism, the relations between postmodernism and postcolonialism, and the status of nationalism in an age of globalization.
