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Since its publication in 1993, From a Native Daughter, a provocative, well-reasoned attack against the rampant abuse of Native Hawaiian rights, institutional racism, and gender discrimination, has generated heated debates in Hawai'i and throughout the world. This 1999 revised work published by University of Hawai‘i Press includes material that builds on issues and concerns raised in the first edition: Native Hawaiian student organizing at the University of Hawai'i; the master plan of the Native Hawaiian self-governing organization Ka Lahui Hawai'i and its platform on the four political arenas of sovereignty; the 1989 Hawai'i declaration of the Hawai'i ecumenical coalition on tourism; and a typology on racism and imperialism. Brief introductions to each of the previously published essays brings them up to date and situates them in the current Native Hawaiian rights discussion.
The (female) "Malcolm X" of Hawai'I's inconsolable grief and rage at the destruction of her people's land.
Night Is a Sharkskin Drum is a lyrical evocation of Hawaii by a Native poet whose ancestral land has been scarred by tourism, the American military, and urbanization. Grounded in the ancient grandeur and beauty of Hawaii, this collection is a haunted and haunting love song for a beloved homeland under assault.
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Asian Settler Colonialism is a groundbreaking collection that examines the roles of Asians as settlers in Hawai‘i. Contributors from various fields and disciplines investigate aspects of Asian settler colonialism to illustrate its diverse operations and impact on Native Hawaiians. Essays range from analyses of Japanese, Korean, and Filipino settlement to accounts of Asian settler practices in the legislature, the prison industrial complex, and the U.S. military to critiques of Asian settlers’ claims to Hawai‘i in literature and the visual arts.
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Winner of the Native American Literature Symposium's Beatrice Medicine Award for Published Monograph The first extensive study of contemporary Hawaiian literature, Finding Meaning examines kaona, the practice of hiding and finding meaning, for its profound connectivity. Through kaona, author Brandy Nalani McDougall affirms the tremendous power of Indigenous stories and genealogies to give lasting meaning to decolonization movements.
A careful synthesis of the leading radical feminist critics presented from an original point of view that makes their thought readily available to a general audience.
Literature Review from the year 2002 in the subject American Studies - Literature, grade: A-, San Francisco State University (Ethnic Studies), course: ETHS 220: Asians in America, language: English, abstract: “Settlers of Color and ‘Immigrant’ Hegemony: ‘Locals’ in Hawai'i” was published in Amerasia Journal 26:2 (summer 2000). This was a special issue dedicated to the question “Whose Vision?: Asian Settler Colonialism in Hawai'i.” The article constitutes an advocacy of Native Hawaiian sovereignty and talks about the growing tensions between Asians and Native Hawaiians in Hawai'i. Trask believes that settler organizations, such as the JACL, intentionally obscure the issue of j...
Haunani-Kay Trask (conceived October 3, 1949) is a Hawaiian patriot, instructor, political researcher, creator, and teacher emeritus at the University of Hawaii at Manoa. Trask is the maker of the honor-winning narrative Act of War: The Overthrow of the Hawaiian Nation (1993), winning nine distinct honors in three unique nations. Trask assisted with laying out the Gladys Brandt Kamakakuokalani Center for Hawaiian Studies at the University of Hawaii at Manoa. upon finishing this book you'll learn; -Her early life -Profession -Cause of death And lots more... This Book was written with a lot of research and correct information gathered. A copy will give you a lot of correct insight about the Haunani-kay track. Get yourself a copy.