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The #1 national bestseller “Marvelous . . . viciously funny and acutely intelligent” (Maclean’s), When We Lost Our Heads is the spellbinding story of two young women whose friendship is so intense it not only threatens to destroy them, it changes the course of history Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At age twelve, with her pile of blond curls and unparalleled sense of whimsy, she’s the leader of all the children in the Golden Mile, the affluent strip of nineteenth-century Montreal where powerful families live. Until one day in 1873, when Sadie Arnett, dark-haired, sly and brilliant, moves to the neighbourhood. Marie and Sadie are immediately insep...
From the two-time Giller Prize shortlisted author, a dazzling circus of a novel set in the seductive underside of Montreal and New York between the wars Two babies are abandoned in a Montreal orphanage in the winter of 1910. One is a girl named Rose; the other, a boy named Pierrot. Each display rare gifts that bring them adoration and hatred. As they are made to travel around the city performing clown routines to raise funds for the orphanage, they make plans for a sensational future. They are separated as teenagers and sent off to work as menial servants, but both soon find themselves escaping into the criminal world, participating in the vicious and absurd and perverted underbelly of Montreal and New York City between the wars. They search for each other, and one night, under the snowflakes, they reunite, and the underworld will never look quite the same. With all the storytelling skill and magical language for which she is known, Heather O’Neill dazzles us with a new tale of motherless gangsters, drug addicted pianists, radicalized chorus girls and a city whose economy hinges on the price of a kiss.
'Like Angela Carter, she is relentlessly inventive' Sunday Times 'Full of pathos, spirit and iridescent innocence' Independent on Sunday The first novel by the author of The Lonely Hearts Hotel 12-year-old Baby is used to turmoil in her life. Her mother is long dead, her father is a junkie and they shuttle between rotting apartments and decrepit downtown hotels. As her father's addiction and paranoia grow worse, she begins a journey that will lead her through chaos and hardship; but Baby's remarkable strength of spirit enables her to survive. Smart, funny and determined to lift herself off the city's dirty streets, she knows that the only person she can truly rely upon is herself.
Original and bewitching rewrites of children's stories and fairytales set around World War Two, by the Women's Prize-shortlisted author A cherub breaks all the rules when he spends one night with a girl on earth. Snow White and Rose Red forge a unique way to survive the Paris occupation. A soldier is brought back to life by a toymaker, but he's not grateful. And a child begins the story of a Gypsy and a bear, who have to finish it themselves. These are old stories, but not as you know them. These are set not in the forests of Europe or fantasy worlds, but on the battlefields of World War Two and the wilderness of downtown Montreal. With her blazing imagination, irreverent humour and arresting prose, Heather O'Neill twists them anew: more magical for their realism, more profound for their darkness; captivating, witty and wicked.
"An enchanting story of twins, fame, and heartache by the much-praised author of Lullabies for Little Criminals"--
I broke all the rules that my dad gave me. It was he who had given me, in part, the confidence to think of my life as being worthy to mix with those of the geniuses. —Heather O’Neill With generosity and wry humour, novelist Heather O’Neill recalls several key lessons she learned in childhood from her father: memories and stories about how crime does pay, why one should never keep a diary, and that it is good to beware of clowns, among other things. Her father and his eccentric friends—ex-bank robbers and homeless men—taught her that everything she did was important, a belief that she has carried through her life. O’Neill’s intimate recollections make Wisdom in Nonsense the perfect companion to her widely praised debut novel, Lullabies for Little Criminals (HarperCollins).
This is the first full-length collection of poems by Heather O'Neill, a writer and performer living in Montreal. two eyes are you sleeping is a linked collection of personal and political lyrics, written in a voice that reflects both the rootlessness and violence of the urban landscape and a metaphorical brilliance that transforms the ordinary into the visionary. These are poems of the street, poems of defenselessness, strength, perversity and generosity, poems of drug addicts, alcoholics, con-men and sexual adventurers, poems to shout out in the bathtub with the radio blaring out the song you loved when you were fourteen. Most of all they are about growing up human in the drab beauty of the city.
"Find Your Five at Forty" combines the best of both worlds. It will entertain the reader with a story that communicates the progression of five endearing characters. Then it will teach the steps the characters took to achieve success and reveal the secret of how simple it is for anyone to enjoy their life to the fullest.
This book is designed to be a comprehensive and easy to follow treatment manual for mental health professionals to use in a group therapy setting with adolescents, 15 to 17-years old, diagnosed with ADHD. TAGTEAM: The Adolescent Group to Explore ADHD Management addresses team work, self-control, self-monitoring, problem-solving, anger management, communication, and self-esteem through a group approach. TAGTEAM is designed to involve the use of psych-education, role-playing, art, verbal processing, emotional processing, and cooperative and collaborative activities. -- Back cover.
WINNER OF THE INTERNATIONAL GRIFFIN PRIZE A NEW YORK TIMES BEST POETRY BOOK OF 2020 Music for the Dead and Resurrected captures the complexity of living in the shadows of imperial force, of the vulnerability of bodies, of seeing with more than the eyes. Valzhyna Mort's work is characterised by a memorial sensibility that honours those lost to the violences of nation states. In Music for the Dead and Resurrected the poet offers us a body of work which balances political import with serious play. There are few poets writing with such an intuitive sense of the balance between arcane and contemporary currents in poetry. Mort's lines are timeless, finely honed to last beyond a single lifetime.