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Word-order Variation in Biblical Hebrew Poetry
This study tackles the neglected subject of word order in biblical Hewbrew poetry. The fact that the order of clause constituents frequently differs from that found in prose has often been noted, but no systematic attempt has been offered by way of explanation. Here two separate factors are taken into consideration: that of purely poetic variation defamiliarisation, and that of pragmatic markedness. This work offers a new approach to the poetry of the Old Testament that will aid towards more accurate translation, exegesis, and discourse analysis of poetic texts.
Directions in Biblical Hebrew Poetry
This collection of original papers reflects the intensity of current interest in the poetry of the OT, and amply demonstrates the diversity of rewarding approaches now available. Some of these studies are landmarks, and all are stimulating for further research.
The Basics of Hebrew Poetry
Almost 75 percent of the Old Testament is made up of poetic passages, yet for many readers (lay Christians, even seminary students and pastors), biblical poetic passages remain the greatest challenge. Being unfamiliar with poetry in general and biblical poetry in particular, their reading and preaching are limited to selected poetic passages. This in turn limits their understanding of God's word. To help readers overcome these problems, the first four chapters of this book aim to get them familiarized with the literary techniques of biblical poets. To demonstrate how the techniques work to bring across the biblical theological message, the last three chapters offer poetic analyses of three passages of different kinds. In the process, we hope to draw attention to the beauty of the Hebrew poetic art and to the creative skill of biblical poets' versification. The ultimate aim, however, is to help readers discover the rich message of the Bible.
Cantos and Strophes in Biblical Hebrew Poetry
This volume deals with the poetic framework and material content of the book of Psalms. The rhetorical analyses of Psalms 1-41 are preceded by a broad survey of the history of strophic investigation into Hebrew poetry, starting from the beginning of the nineteenth century. Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers. A quantitative structural approach also helps to identify the focal message of the poems. An introduction to the design of biblical poetry, describing the fundamentals that determine the macrostructure of individual compositions, concludes this massive study.
Cantos and Strophes in Biblical Hebrew Poetry III
This volume deals with the rhetoric, the formal and thematic framework, of Psalms 90-150 (the Fourth and Fifth Book of the Psalter). It is the conclusion of the Psalms Project started with Psalms 1-41, OTS 53 (2006) , and continued with Psalms 42-89, OTS 57 (2010). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices especially include quantitative balance on the level of the cantos in terms of verselines, verbal repetitions, and (on the level of the strophes) transition markers. The quantitative approach to a psalm in terms of verselines, cola and/or words in most cases clearly discloses a focal message. This massive study is rounded off by an updated introduction to the canto design of biblical poetry (including the book of Job, Lamentations, the Songs of Songs, Deutero-Isaiah and other major poems of the Hebrew Bible).
The Forms of Hebrew Poetry
Gray refined the classifications offered up by Lowth in his 'Lectures on the Sacred Poetry of the Hebrews'. Gray developed ingenious readings of texts which had been previously been seen as corrupt and readable only with major emendations. Gray deduced principles of Semitic poetry which allowed these texts to be sensibly read without emendation.
Interpreting Hebrew Poetry
Here is a convenient introduction to the unique aspects of interpreting the one-third of the Hebrew Bible that is in poetic form. Numerous are the occasions when a failure to distinguish poetry from prose in the Old Testament has resulted in flawed interpretation. Robert Lowth's Lectures on the Sacred Poetry of the Hebrews (1753, 1787), marked a turning point of major proportions by focusing on the importance of parallelism of lines. But new studies of the past decade now require significant adjustments to Lowth's analyses. Interpreting Hebrew Poetry offers an authoritative introduction to this discussion of parallelism, meter and rhythm, and poetic style. It also provides by way of example a poetic analysis of Deuteronomy 32, Isaiah 5:1-7, and Psalm 1.
The Poems and Psalms of the Hebrew Bible
This book concentrates on the poetry of the Hebrew Bible. After considering the essential elements of Hebrew verse, it looks at the most familiar poems - the Psalms, the Song of Solomon, and the poetry in Job and Proverbs - as well as at less familiar examples of poems which by contrast are embedded in narrative such as war poetry, harvest hymns, elegies, prayers of protest, and thanksgiving songs.
