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Indian Literature and Popular Cinema
This book considers the popular cinema of North India (Bollywood) and how it recasts literary classics. It addresses the socio-political implications of popular reinterpretations of elite culture, exploring gender issues and the perceived sexism of popular films and how that plays out when literature is reworked into film.
Krsna's Round Dance Reconsidered
Concerned with the process in Hinduism of reinterpreting classical texts and imbuing them with new inspiration. An example par excellence is Hariram Vyas's Ras-pancadhyayi, the earliest known Braj Bhasa version of the five chapters of Bhagavatapurana on Krsna's Dance with the Gopis.
The Voice of the Indian Mona Lisa
An exploration of the young enslaved woman behind the 'Indian Mona Lisa' who became an accomplished poetess and Rajput prince's concubine.
Mobilizing Krishna's World
Savant Singh (1694-1764), the Rajput prince of Kishangarh-Rupnagar, commissioned beautiful miniature paintings and composed devotional (bhakti) poetry to Krishna under the nom de plume Nagaridas. After his throne was usurped, while Savant Singh was on the road seeking military alliances to regain his kingdom, he composed a pilgrimage account, The Pilgrim's Bliss (Tirthanand); an anthology, Garland of Stories and Songs (Pad-prasang-mala); and a reworking of the story of Rama, Garland of Rama's Romance (Ram-carit-mala). Through an examination of Savant Singh's life and works, Heidi Pauwels explores the circulation of ideas and culture in the sixteenth through eighteenth centuries in north India, revealing how Singh mobilized soldiers but also used myths, songs, and stories about saints to cope with his personal and political crises. Mobilizing Krishna's World allows us a peek behind the dreamlike paintings and refined poetry into a world of intrigue Book jacket.
Pilgrims, Patrons, and Place
This book brings together essays by anthropologists, scholars of religion, and art historians to explore some of the most fundamental challenges that religious groups face as they expand from their homeland or confront the demands of modernity. The chapters span a broad geographical area that includes India, Nepal, Thailand, Indonesia, and China, and address issues from the classical and medieval period to the present. They show how sacred places have a plurality of meanings for all religious communities and how in their construction, secular politics, private religious experience, and sectarian rivalry can all intersect. A Buddha Dharma Kyokai Foundation Book on Buddhism and Comparative Literature.
Love in the Time of Scholarship
Where is the "life" in scholarly life? Is it possible to find in academic writing, so often abstracted from the everyday? How might religion bridge that gap? In Love in the Time of Scholarship, author Anand Venkatkrishnan explores these questions within the intellectual history of a popular Hindu scripture, the Bhagavata Purana, spanning the precolonial period of the fourteenth to eighteenth centuries in India. He shows that Brahmin intellectuals writing in Sanskrit were neither impervious to the quotidian religious practices of bhakti, nor uninterested in its politics of language and caste. They supported, contested, and repurposed the social commentary of bhakti even in highly technical wo...
Sirens of Modernity
Opening Credits "Akira Kurosawa" : a retrospective prologue -- Introduction : "Romance, comedy, and somewhat jazzy music" -- Problems of translation : world cinema as distribution history -- moving toward the "City of love": Hindustani lyrical genealogies -- Homosocialist co-productions : Pardesi (1957) contra Singapore (1960) -- Comedic crossovers and Madras money-spinners : Padosan's (1968) audiovisual apparatus -- Foreign Exchanges : transregional trafficking through Subah-O-Sham (1972) -- Special features.
Music and Musicians in Late Mughal India
This is the first history of Indian music and musicians during the transition from Mughal to British rule, c.1748-1858.
Visual Anthropology of Indian Films
This book provides a unique insider’s look at the world’s largest film industry, now globally known as ‘Bollywood’ and challenges existing notions about Indian films. Indian films have been a worldwide phenomenon for decades. Chapters in this edited volume take a fresh view of various hidden gems by maestros such as Raj Kapoor, Bimal Roy, V Shantaram, Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Shakti Samant, Rishikesh Mukherjee, and others. Other chapters provide a pioneering review and analysis of the portrayal of Indian religious communities such as Hindus, Muslims, Christians, and Parsis. The themes covered include unique Indian feminism and male chauvinism, environment and climate ...
