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Pierre Bonnard, the Graphic Art
  • Language: en
  • Pages: 274
Register of the University of California
  • Language: en
  • Pages: 1662

Register of the University of California

  • Type: Book
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  • Published: 1958
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  • Publisher: Unknown

None

Commencement[programme]
  • Language: en
  • Pages: 228

Commencement[programme]

  • Type: Book
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  • Published: 1958
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  • Publisher: Unknown

None

Monet to Moore
  • Language: en
  • Pages: 241

Monet to Moore

  • Categories: Art

This Millennium Gift is the largest single gift to the arts in American history and the first to include institutions outside the United States."--BOOK JACKET.

Artists & Prints
  • Language: en
  • Pages: 296

Artists & Prints

Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.

The Poster
  • Language: en
  • Pages: 431

The Poster

  • Categories: Art

The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a...

The Great Parade
  • Language: en
  • Pages: 432

The Great Parade

  • Categories: Art

A beautiful book that showcases how circus figures and artifacts have been portrayed in art over the past two centuries The circus is a dazzling world filled with acrobats and harlequins, tumblers and riders, monsters and celestial creatures. Now this engaging book sets that world in a new light, examining how painters, sculptors, and photographers from the eighteenth century to the present have used the circus as a springboard for their imaginative expression and have envisioned the clown as a metaphor for the modern artist. The book presents more than 175 works by such artists as Degas, Toulouse-Lautrec, Rouault, Picasso, Chagall, and Léger. Some of these are masterful works shown for the first time; these range from the 18-meter stage curtain Picasso designed in 1917 for Erik Satie's ballet Parade to more intimate works such as Nadar and Tournachon's photographs of Pierrot as played by celebrated mime Charles Debureau.

The Nabis and the Parisian Avant-garde
  • Language: en
  • Pages: 260

The Nabis and the Parisian Avant-garde

  • Categories: Art
  • Type: Book
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  • Published: 1988
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  • Publisher: Unknown

None

Beyond the Easel
  • Language: en
  • Pages: 318

Beyond the Easel

"The Contributions of Artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel to the French avant-garde of the 1890s, as members of the Nabis, are widely recognized. What is less known about these artists' careers is their extraordinary work in decorative painting - work on a large or unusual scale for private interiors. This illustrated book focuses on the many decorative works carried out by the four artists between 1890 and 1930. During these years, they moved beyond the narrow parameters of easel painting and applied their wholly untraditional aesthetic of decoration to a wide range of works for domestic interiors, from wall-size ensembles to folding screens. The ...

Pierre Bonnard
  • Language: en
  • Pages: 368

Pierre Bonnard

  • Categories: Art
  • Type: Book
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  • Published: 2006
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  • Publisher: Ludion

Among those painters who incontestably left their mark on twentieth-century art, Bonnard rises to the top again and again. Museums, scholars and viewers regularly return to his oeuvre for reinterpretation, passionate and contradictory, of what it means to be Modern. In having followed a very personal calling--literally and figuratively interior, particularly compared to the work of friends like Matisse--Bonnard created work as innovative as any of his contemporaries'. His recurring themes--the nude (both classical and erotic), the landscape, domestic life, and the self-portrait--evolve with him from the nineteenth century to the twentieth, from Paris to the south of France, alive with consta...