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Wild Man from Borneo
Wild Man from Borneo offers the first comprehensive history of the human-orangutan encounter. Arguably the most humanlike of all the great apes, particularly in intelligence and behavior, the orangutan has been cherished, used, and abused ever since it was first brought to the attention of Europeans in the seventeenth century. The red ape has engaged the interest of scientists, philosophers, artists, and the public at large in a bewildering array of guises that have by no means been exclusively zoological or ecological. One reason for such a long-term engagement with a being found only on the islands of Borneo and Sumatra is that, like its fellow great apes, the orangutan stands on that most...
Leon Trotsky
This concise look at the life of Trotsky begins with his first meeting with Lenin in exile, in 1902, and ends with Trotsky's assassination in Mexico, in 1940. Ideological and practical conflicts with the other major personalities of the Russian revolution are detailed, and a brief descriptive bibliography of Trotsky's key writings is included.
Lyndon LaRouche
This Red Banner Reader follows Lyndon Larouche from his origins in the Socialist Worker's Party to his interlude with the National Caucus of Labor committees, and on to the flood of organizations, fronts, committees, parties, caucuses and whatever that Larouche has generated since his prison release in 1994. It notes Larouche's psychotic collapse and wildly cultist behavior of the 1970's, and traces the links, not without consequence, between cult politics and "real" politics in the worlds of Reagan and Bush.
Sightlines
SIGHTLINES explores Australian drama for its complex negotiations of race, gender, and postcolonialism. Drama scholar Helen Gilbert discusses an exciting variety of plays. Although focused mainly on performance, her insistent interest in historical and political contexts also speaks to the broader concerns of cultural studies. 23 illustrations.
Postcolonial Plays
This collection of contemporary postcolonial plays demonstrates the extraordinary vitality of a body of work that is currently influencing the shape of contemporary world theatre. This anthology encompasses both internationally admired 'classics' and previously unpublished texts, all dealing with imperialism and its aftermath. It includes work from Canada, the Carribean, South and West Africa, Southeast Asia, India, New Zealand and Australia. A general introduction outlines major themes in postcolonial plays. Introductions to individual plays include information on authors as well as overviews of cultural contexts, major ideas and performance history. Dramaturgical techniques in the plays draw on Western theatre as well as local performance traditions and include agit-prop dialogue, musical routines, storytelling, ritual incantation, epic narration, dance, multimedia presentation and puppetry. The plays dramatize diverse issues, such as: *globalization * political corruption * race and class relations *slavery *gender and sexuality *media representation *nationalism
Post-Colonial Drama
Post-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed in Post-Colonial Drama include: * the interactions of post-colonial and performance theories * the post-colonial re-stagings of language and history * the specific enactments of ritual and carnival * the theatrical citations of the post-colonial body Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.
The New Man, Masculinity and Marriage in the Victorian Novel
By tracing the rise of the New Man alongside novelistic changes in the representations of marriage, MacDonald shows how this figure encouraged Victorian writers to reassess masculine behaviour and to re-imagine the marriage plot in light of wider social changes. She finds examples in novels by Dickens, Anne Brontë, George Eliot and George Gissing.
In Praise of the Minor Character
Minor characters are everywhere in novels. They linger with readers and invite us into the untold aspects of their lives. They fill a text's landscape, bringing depth to its ecosystem, and encourage us to shift our thoughts from textual centers to margins and even to consider the minor elements of our own experiences. Minor characters challenge us to hold oppositional perspectives, rethink interdependencies, and reimagine textual and lived relationships. In many ways, we identify with minor characters, and yet we lack a nuanced way of understanding them. This work is about minor characters and the qualities of "minorness" in Victorian novels. It offers casual readers and scholars alike a method of reading and rereading for minor characters that extends across genres.
