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The Deadly Truth
When Dr Basil Willing rents a small shack for a vacation on Long Island he becomes embroiled with his landlady, Claudia Bethune. Claudia wants to learn the secrets of her relatives and friends, so she steals a truth serum and holds a dinner party for her nearest and dearest. In the early morning hours, as Dr Willing returns to his cottage, he sees what he thinks is a fire and investigates. He finds Claudia near death at the table and hears footsteps fading up the stairs. Someone didn't want Claudia to learn the truth about them, and soon Dr Willing finds himself a suspect in murder.
Mr Splitfoot
To wake the devil, Lucinda summoned the arch fiend with the ancient invocation, and from the secret room where her friend Vanya had agreed to hide came the eerie response. The rapping called up all the terror of the old tales, and the joke was going marvellously. Until Lucinda realised that Vanya had never arrived at the old house ...
Cue For Murder
A murder has taken place on stage and it seems that one of three people must be guilty. The crime was committed in full view of the audience and players, but no one can say whom the murderer is. There appear to be no clues, the suspects are all well trained in the art of dissimulation, and all three deny any knowledge of the crime. It looks like the perfect murder, until Dr Basil Willing, psychiatrist-sleuth, begins to investigate the peculiar behaviour of a pet canary and a housefly.
Through a Glass, Darkly
Gisela von Hohenems joins the teaching staff of an exclusive girls' school in upstate New York, where she befriends fellow newcomer Faustina Coyle. But a climate of fear surrounds Faustina, and after several strange incidents that defy rational explanation, she is forced to resign. Gisela asks her fiancé, detective-psychologist Dr Basil Willing, to investigate in this highly acclaimed horror-mystery with shades of M. R. James.
Who's Calling?
The engagement of Archie, a young doctor, to night club artiste Frieda evokes ghostly phenomena when Archie takes Frieda to visit his mother near Washington. Untraceable phone calls, vandalism - and a murder - all happen before Dr Basil Willing, psychologist-sleuth, takes over and solves the mystery.
She Walks Alone
A woman dies by violence aboard the Santa Cristina. A radio flash from the West Indies brings word of an apparently related death. A man's body turns up, and in his hand is a suicide note written in one woman's handwriting but signed with another woman's name. But what part does the jar of blood play - and why is everyone so interested in the contents of a certain package wrapped in cherub-bedecked paper? That's the puzzle Captain Urizar has to solve in a case with a startling showdown.
ALIAS BASIL WILLING
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The Goblin Market
It's 1943, and down-on-his-luck American expat Philip Stark is on the Caribbean island of Santa Teresa. The prewar destination playground is deserted now except for diplomats and oil refinery workers. When a local correspondent dies, Stark sees a chance to make some money. Having worked for the same company in the past, he is hired to replace the dead man. But Stark doesn't think his predecessor died by accident. As he looks into the mystery, he encounters a rival correspondent, an enigmatic police officer and the mistress of the dead man - all of whom had a stake in seeing him dead.
Death in a White Tie
A high-society homicide is the talk of the London season . . .“Marsh’s writing is a pleasure.” —The Seattle Times It’s debutante season in London, and that means giggles and tea-dances, white dresses and inappropriate romances . . ..and much too much champagne. And, apparently, a blackmailer, which is where Inspector Roderick Alleyn comes in. The social whirl is decidedly not Alleyn’s environment, so he brings in an assistant in the form of Lord “Bunchy” Gospell, everybody’s favorite uncle. Bunchy is more than lovable; he’s also got some serious sleuthing skills. But before he can unmask the blackmailer, a murder is announced. And everyone suddenly stops giggling . . . “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “[Her] writing style and vivid characters and settings made her a mystery novelist of world renown.” —The New York Times
