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“We can no longer see, much less teach, transhistorical truths, timeless works of art, and unchanging critical criteria without a highly developed sense of irony about the grand narratives of the past,” declare the editors, who also coedited Visual Theory: Painting and Interpretation (1990). The field of art history is not unique in finding itself challenged and enlarged by cultural debates over issues of class, ethnicity, nationality, sexual orientation, and gender. Visual Culture assembles some of the foremost scholars of cultural studies and art history to explore new critical approaches to a history of representation seen as something different from a history of art. CONTRIBUTORS: Andres Ross, Michael Ann Holly, Mieke Bal, David Summers, Constance Penley, Kaja Silverman, Ernst Van Alphen, Norman Bryson, Wolfgang Kemp, Whitney Davis, Thomas Crow, Keith Moxey, John Tagg, Lisa Tickner. Ebook Edition Note: Ebook edition note: all illustrations have been redacted.
In one of the first studies of its kind, Orphan texts seeks to insert the orphan, and the problems its existence poses, in the larger critical areas of the family and childhood in Victorian culture. In doing so, Laura Peters considers certain canonical texts alongside lesser known works from popular culture in order to establish the context in which discourses of orphanhood operated.The study argues that the prevalence of the orphan figure can be explained by considering the family. The family and all it came to represent - legitimacy, race and national belonging - was in crisis. In order to reaffirm itself the family needed a scapegoat: it found one in the orphan figure. As one who embodied the loss of the family, the orphan figure came to represent a dangerous threat to the family; and the family reaffirmed itself through the expulsion of this threatening difference. Orphan texts will be of interest to final year undergraduates, postgraduates, academics and those interested in the areas of Victorian literature, Victorian studies, postcolonial studies, history and popular culture.
From emporium to storeroom, antique to bric-a-brac, kitchenalia to militar ia, art to estate jewellery and toys to tools this book reveals all for hoarders, collectors, stockpilers, dealers and bowerbirds.
Free speech for African Americans during World War I had to be exercised with great caution. The federal government, spurred by a superpatriotic and often alarmed white public, determined to suppress any dissent against the war and require 100% patriotism from the black population. These pressures were applied by America's modern political intelligence system, which emerged during the war. Its major partners included the Bureau of Investigation (renamed the FBI in 1935); the Military Intelligence Division; and the investigative arms of the Post Office and State departments. Numerous African American individuals and institutions, as well as 'enemy aliens' believed to be undermining black loya...
This book covers the civil rights movement in Tallahassee, Florida during the 1950s and 1960s.
Final issue of each volume includes table of cases reported in the volume.
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