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A Trinitarian Anthropology
"Schumacker systematically exposits the Trinitarian theological anthropology of von Speyr, as it emerges through her vast corpus, in parallel with a development of the same theme in Balthasar's work. ... Finally, the volume exposits Aquinas's own doctrine on theological discourse, in view of initiating a dialogue wiwth his disciples." -- publisher's description.
My Body Given for You
The Eucharist originated at the Last Supper of Jesus with his disciples. It is based on the prayer of thanksgiving that Jesus pronounced over the bread and wine at that meal. “Eucharist” means “thanksgiving”, “praise”, and “blessing”. The Church celebrates the Eucharist as a memorial of the death and Resurrection of Jesus Christ, which is more than a remembrance of the Last Supper of Jesus with his disciples. In the Eucharist the sacrifice of our redemption becomes present sacramentally. In the past, dogmatic theology has treated the meaning of the Eucharist while disregarding the form of its liturgical celebration, whereas liturgical studies have been content with only the l...
The Deacon Reader
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The Breath of God
The Holy Spirit is in a way the most mysterious of the three "names" of God. For many it is the "unknown God" (Acts 17:23). How can a "Spirit" be love? How can it be a person? What role can a "Spirit" have in the trinitarian relations? In The Breath of God, Veto argues that a more exact comprehension of the third divine person can be reached by considering the way it acts in the economy of salvation and how it reveals itself in its scriptural names: Ruah and Pneuma, breath or wind. Just as, in the eternal life of God, the Father and the Son are precisely what their names designate, likewise, the Holy Spirit is the Breath of God. The procession of the Spirit is the "breathing out" of the Father into the Son, the communication of one intimacy into another, and the "breathing" back of the Son into the Father. This leads to reshaping many aspects of trinitarian theology, in particular divine personhood. It is also fruitful for the believer's life of prayer because it offers a better understanding of the distinct relationship one can have to Father, Son, and Spirit.
A Living Sacrifice: Liturgy and Eschatology in Joseph Ratzinger
A Living Sacrifice focuses on the inherent relationship between eschatology and the liturgy in light of Ratzinger’s insistence upon the primacy of logos over ethos. When logos is subordinated to ethos, the human person becomes subjected to a materialist ontology that leads to an ethos that is concerned above all by utility and progress, which affects one’s approach to understanding the liturgy and eschatology. How a person celebrates the liturgy becomes subject to the individual whim of one person or a group of people. Eschatology is reduced to addressing the temporal needs of a society guided by a narrow conception of hope or political theology. If the human person wants to understand h...
The Eucharist in Modern Philosophy
The Eucharist in Modern Philosophy is one of the last books written by the renowned Jesuit philosopher Xavier Tilliette (1921-2018), and the first to be translated into English. Jonathan Martin Ciraulo, the translator, also provides an introduction to the thought of Tilliette and the content of this book, while Cyril O’Regan provides the foreword, noting the particular intellectual characteristics of Tilliette and his analysis of eucharistic philosophies. In addition to being known as one of the foremost experts on the German Idealist Friedrich Schelling, Tilliette wrote voluminously on the relationship between modern philosophy and theology, particularly concerning the way in which Christ...
Ceremonies Explained for Servers
Ceremonies Explained for Servers may well be called the "mother of all servers' manuals". This is the most detailed guide available for servers and those who train and supervise them at the altar. In accessible language, Ceremonies covers the roles of servers in a wide range of Catholic liturgical celebrations. These are described in full, such as: the Mass in both the Ordinary and Extraordinary forms, the seven sacraments, the ceremonies of Holy Week, the Liturgy of the Hours, funeral rites, the liturgies that are celebrated by a bishop and major blessings. Ceremonies also provides accurate explanations for each of these rites, with Catholic teaching on the liturgy and sacraments and a hist...
The Roman Mass
This volume offers a new, synthetic overview of the structure and ritual shape of the Roman Mass from its formative period in late antiquity to its post-Tridentine standarisation. Starting with the Last Supper and the origins of the Eucharist, Uwe Michael Lang constructs a narrative that explores the intense religious, social, and cultural transformations that shaped the Roman Mass. Lang unites classical liturgical history with insights from a variety of other disciplines that have drawn attention to the ritual performance and reception of the mass. He also presents liturgical developments within the broader historical and theological contexts that affected the celebration and experience of the sacramental rite that is still at the heart of Catholic Christianity. Aimed at scholars from a broad swathe of subjects, including religious studies, history, art history, literature, and music, Lang's volume serves as a comprehensive history of the Roman Mass over the course of a millenium.
Theological Anthropology in Mozart’s La clemenza di Tito
This book asks what theological messages theologically educated Catholics in late-eighteenth-century Prague might have perceived in Mozart’s late opera seria La clemenza di Tito. The book’s thesis is two-fold: first, that Catholics might have heard the opera’s advocacy of enlightened absolutism as a celebration of a distinctly Catholic understanding of political governance; and second, that they might have found in the opera a metaphor for the relationship between a gracious God and humanity caught up in sin, expressed as sexual concupiscence, pride, and lust for power. The book develops its interpretation of the opera through narrative character analyses of the main protagonists, an examination of their dramatic development, and by paying attention to the biblical and theological associations they may have evoked in a Catholic audience. The book is geared towards academic readers interested in opera, theologians, historians, and those who work at the intersection of theology and the arts. It contributes to a better understanding of the theological implications of Mozart’s operatic work.
