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Immanuel Kant's "critical philosophy" is rightly renowned for its criticism of the metaphysical pretensions of reason unaided by experience. It therefore seems ironic that, within a single generation, some of Kant's most important followers argued that th
The Eucharist in Modern Philosophy is one of the last books written by the renowned Jesuit philosopher Xavier Tilliette (1921-2018), and the first to be translated into English. Jonathan Martin Ciraulo, the translator, also provides an introduction to the thought of Tilliette and the content of this book, while Cyril O'Regan provides the foreword, noting the particular intellectual characteristics of Tilliette and his analysis of eucharistic philosophies. In addition to being known as one of the foremost experts on the German Idealist Friedrich Schelling, Tilliette wrote voluminously on the relationship between modern philosophy and theology, particularly concerning the way in which Christol...
This book is a reconsideration of Paul Tillich's (1886-1965) project of a theology of culture and art. Concentrating on Tillich's widely neglected pre-emigration writings (1910-1933), Re Manning reconstructs and defends Tillich's proposals for theology of culture as a philosophically sophisticated programme of theological engagement with culture and art. 'On the boundary' between the extremes of liberal Christian humanism and neo-orthodox isolationism, Tillich's project is shown to be a powerful continuation of the mediatory intentions of the 'Schleiermacher-Troeltsch line' of modern Protestant theology to overcome the 'intolerable gap' between religion and culture. Drawing heavily on Tillic...
In tracing Friedrich von Schelling's long philosophical development, John Laughland examines in particular his disentanglement from German idealism and his reaction, later in life, against Hegel. He argues that this story has relevance beyond the facts themselves and that it explains much about the direction philosophy took in the century between the French Revolution and the rise of Communism. Schelling's development turned principally on the related questions of human liberty and the creation. Following a sharp disagreement with his old friend Hegel over the Phenomenology in 1807, Schelling wrote a short but brilliant essay on human freedom in 1809, after which he never published another w...
Mou Zongsan (1909-1995) was one of the major Chinese philosophers of the twentieth century, whose entire intellectual enterprise consisted of rethinking the relevance in the modern age of Chinese thought in general and Confucianism in particular. Although his seminal work is now a reference point everywhere in the Chinese world, research on the topic in English remains scarce. This book explores a pivotal dimension of Mou’s philosophy—that is, his project of reconstructing a moral metaphysics based largely on a dialogue between reinterpreted Chinese thought and Kantism. It provides the reader with direct access to Mou Zongsan’s thought by introducing translated excerpts of his work and thoroughly explores a number of his most paradigmatic concepts.
The envisioned volume is a collection of recent essays about the philosophical exploration, critique and comparison of (a) the major philosophical models of God, gods and other ultimate realities implicit in the world’s philosophical schools and religions, and of (b) the ideas of such models and doing such modeling per se. The aim is to identify exactly what a model of ultimate reality is; create a comprehensive and accessible collection of extant models; and determine how best, philosophically, to model ultimate reality, if possible and desirable.
Schelling is finally beginning to emerge from the long shadow cast by the eminence and influence of Hegel. This book demonstrates that, far from merely forming a step on the royal road to Hegel, it was Schelling who set the agenda for German Idealism and defined the terms of its characteristic problems. Ultimately, it was also Schelling who explored the possibility of idealistic system-building from within and thus brought an end to idealism
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This seminal book examines the dramatic implications of the grotesque in Romantic aesthetics. There are currently no book-length studies exploring the drama of the Romantic grotesque, a category that accentuates multiplicity and hybridity. The post-Kantian philosophy backing Friedrich Schlegel’s Romantic irony provides the most decisive rationalisation of this plurality through theatrical play, and forms the theoretical framework for this study. Poetry and philosophy are merged in Schlegel’s attempt to create Romantic modernity out of this self-conscious blurring of inherited perspectives and genres – a mixing and transgressing of past demarcations that simultaneously create the condit...
A representative survey of the contemporary Rosenzweig research, gathering the state of affairs of the main spearheads of the research and it highlights the incentives for the programs to come.