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The Incredible Beat of My Heart
The incredible beat of my heart is a provocative collection of short prose, varying in style from suburban-realist to surrealist. Kuit transmits the elusive strangeness of daily life in a deceptively matter-of-fact tone, spiked with bursts of rage, humour, and unmarked detours.
Asleep Awake Asleep
The thirty-nine stories in Asleep Awake Asleep can be read as a hand-drawn narrative map, charting the course of a country’s turbulent history. Together they tell a coming of age and a coming to consciousness story, as Rip – child, adult, journalist, partner, mother – revisits milestones marked and signposts ignored or unseen. Set in the suburbs and newsrooms of South African towns and cities and their wilder surrounds, there are vignettes of relationships; tales of political assassinations, murder and betrayal, and questions asked about complicity and reparation.
geruisloos, ongemerk
Geruisloos, Ongemerk is 'n aangrypende kortverhaalbundel wat stilisties tussen voorstedelike-realisme en surrealisme wissel. Kuit ondersoek die alledaagse lewe met onverwagte ompaaie, woede en humor.
geruisloos, ongemerk
Geruisloos, Ongemerk is 'n aangrypende kortverhaalbundel wat stilisties tussen voorstedelike-realisme en surrealisme wissel. Kuit ondersoek die alledaagse lewe met onverwagte ompaaie, woede en humor.
The incredible beat of my heart
The incredible beat of my heart is a provocative collection of short prose, varying in style from suburban-realist to surrealist. Kuit transmits the elusive strangeness of daily life in a deceptively matter-of-fact tone, spiked with bursts of rage, humour, and unmarked detours.
After Troy
after troy, Taban lo Liyong's booklength poem, is an expansive and engaging elaboration of two classical Greek texts, Homer's Odyssey and Aeschylus's Oresteia. Its focus is the homecoming from the Trojan war of two hero-kings, Odysseus and Agamemnon. Lo Liyong recreates their thoughts and speech, adding dialogue from other characters, most of them women, who are not given a voice in the original stories. after troy is also a philosophical enquiry into retribution and justice.
Skeptical Erections
Skeptical Erections is a book of startling visual and verbal imagination. In his poems Sapeta describes the deception and self-loathing prevalent in the people he encounters in his world, including (or perhaps especially) himself. Despite their distortions, however, the characters who come alive in these poems are depicted with respect and compassion.
The Radio and Other Stories
On moving into a new apartment abroad in his Bavarian hometown, the narrator realises that some of his possessions and elements of his new neighbourhood open a window into a flurry of memories, serving as allegorical threads to his childhood, self-consciousness and discovery of the world. What begins as a personal narrative quickly cedes to a social archaeology, inviting the reader/listener on a homegoing journey in the backdrop of Cameroon’s tottering democratic trajectory. Modulated with poetry and music, The Radio tunes in to diaspora, home, nation, education, existence, religion as well as Mbum popular culture, showcasing creative re-appropriation and re-mixing of global trends and icons in specific communities.
Can We Talk and Other Stories
Shimmer Chinodya, winner of the 1989 Commonwealth Writers Prize (Africa region) is one of Zimbabwe's foremost fiction writers. This collection of short stories reveals his development as a writer of passionate questioning integrity. The first stories, 'Hoffman Street' and 'The Man who Hanged Himself' capture the bewildered innocence of a child's view of the adult world, where behaviour is often puzzling and contradictory; stories such as 'Going to See Mr B.V.' provide the transition between the world of the adult and that of the child where the latter is required to act for himself in a situation where illusions founder on a narrow reality. 'Among the Dead' and 'Brothers and Sisters' look wr...
69 Jerusalem Street
In her debut collection of short stories, Lindiwe Nkutha takes us through the minds of people you may overlook on an ordinary day: The wayward neighbour you vaguely remember seeing every day as a child until the day he vanished. The face you see every weekend at the local drinking hole, you exchange a polite nod but know little about, not even her name. The young woman who is caught between her faith and her love for a woman. Their lives are untidy, tainted with the pain, joy and violence as they share with us stories they wouldn't share with anyone else. Nkutha's words weave in and around the weights we drag behind us from one place to another, with a sensitivity and wit required for such vulnerabilities and intimate moments.
